Angela Carter pays attention to the position of women at home and in society, which has earned her a reputation as a major British Feminist writer. She views women’s status as defined and restricted by social institutions and practices. This dissertation examines Carter’s conception of women’s identity in The Magic Toyshop focusing on her demythologization of patriarchal myths with the idea of subaltern and the masquerade. In her early novel, The Magic Toyshop, Carter describes oppression and suffering in a patriarchal house, and argues the inevitability of escape from such a world and the need for the disclosure of the masculine mythology. According to Gayatri C. Spivak, the subaltern women cannot speak in a circuit of dominant epistemic violence. To express their voice, they must wear the mask of silence, which is the attempt to refuse the given language ruled by the Father’s Law. Therefore, the mask leaves women’s real identity unquestioned, and enables them to move beyond their limited space and enjoy their freedom. To sum up, in The Magic Toyshop, Carter depicts a masked female subject who successfully overthrows the Father’s law and survives patriarchal ideology imposed on women.
목차
I. 서론 II. 서발턴 여성의 결혼신화 III. 서발턴의 가면과 실체 IV. 결론 Works Cited Abstract
한국중앙영어영문학회 [The Jungang English Language And Literature Association Of Korea]
설립연도
1968
분야
인문학>영어와문학
소개
본 학회는 영미어문학의 학술연구와 이에 부합하는 아래의 사업을 기획 수행하며,
또한 회원 상호간의 친목을 도모함을 목적으로 한다.
1. 학회지 발간
2. 연구 발표회, 강연회, 공동연구
3. 영미어문학 관련 도서출판
4. 영미어문학 관계 도서 및 자료의 모집 및 비치
5. 기타 본회의 목적 달성에 필요한 사업
간행물
간행물명
영어영문학연구 [The Jungang Journal of English Language and Literature]