Taekwondo's popular, historical narrative presents an excellent example of nationalistic attitudes in South Korean society toward portraying historical accounts in a favorable light, regardless of empirical evidence. This article explores various historical accounts regarding the origins of taekwondo, as presented by early taekwondo pioneers. After Korea's liberation from Japanese colonial rule, taekwondo's earliest and most central historical source became the hwarang myth, which dominated, due to its promotion by the government as a symbol of South Korea's military might, martial traditions, and nationalism. Only over time, did a variety of additional events result in an 'official' martial arts narrative for taekwondo. By 1971, the accounts became consolidated and unified with taekwondo's emergence as an internationally known Korean national sport, with all references to foreign influences omitted from the official record. This article demonstrates how the creation of taekwondo's historical narrative represents a classic case of, 'the invention of tradition.'
목차
Abstract THE MOST POPULAR FICTION OF THE ORIGINS OF MARTIAL ARTS IN EAST ASIA: THE SHAOLINLEGEND THE 'HWARANG SPIRIT' AND THE BUSHIDOETHOS THE TAEKWONDO LEADERS EMBRACE THE HWARANGMYTH THE T'AEKKYON CLAIM THE MUYE TOBO T,ONGJI AND THE SUBAKNARRATIVE TANGIBLE ARTIFACTS AS 'EVIDENCE' OF TAEKWONDO'S ANCIENT ORIGINS THE EARLY 1970s, THE INVENTED TRADITION MATURES: THE MODERN PORTRAYAL OF THE ORIGINS OF TAEKWONDO CONCLUSION REFERENCES APPENDIX
키워드
taekwondo historyinvention of traditionhwarangmartial artsKorean nationalism
저자
UDO MOENIG [ An associate professor in the Department of Taekwondo, Youngsan University, Korea. ]
KIM MINHO [ A professor in the Department of Taekwondo, Youngsan University, Korea. ]
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.