It is of course a very difficult task to conclude literary life of Masuji Ibuse conclusively in a word. But I think that I could roughly arrange his literatry life in order as follows; A youngster, aspiring painter who said that “I think it is artistic to paint ordinary things in ordinary places to a picture”, repeats the processes identifying his art in silence, replacing his pen with brush. Beauty, correctness, warmth and longing, the elements consisting core of his literature that can be seen in , his debut work, were absorbed into the lots of works of in the medium term steadily coming to fruition, and the rapid change caused from closed situation of the times added keenness to those outcomes. So his heart, sadly wounded in the world as devil in burning hell, bitterly felt that he could never write in the way to make sentences with ordinary things in ordinary places, that he could complete only in ernest prayer for peace. Yet it is wellknown as the highlight of Atomic bomb literature(Genbaku Literature), can be also called as the best masterpiece personally to Masuji Ibuse that concludes his literary life in the point that his literary outcome and instrumental efforts the author has accumulated since are loaded wholly in this novel.
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.