This study particularly focused on relevance with fan while analyzing art works world of ‘Hanjo’ that is a typical work of Zeami’s Noh. In this study, it was considered that ancient idiom of Ban jie yu greatly contributed to create general ambience of main character’s human figure and art work beyond a level of simply affecting art work title and the name of main character by ancient idiom of Ban jie yu. In addition, in ‘Hanjo’, ‘Wongahaeng’, a poem of Ban jie yu and classical poetry being borrowed from ancient idiom of Ban jie yu are quoted exquisitely and it depicts loneliness of a broken-hearted lady earnestly and elegantly. Human figure of Hanago, a main character appeared in ‘Hanjo’ and painful and solitary emotion that dominate overall mood of the art work get more thickened and plentiful as it is based on ancient idiom of Ban jie yu and ‘Wongahaeng’. From chapter 2, how main material called fan is interfaced with conclusion structure of happy ending called achievement of love was observed. First, by analyzing various texts of ‘Hanjo’, it was indicated that a byname called ‘Hanjo’ was not obtained after lover Shosho left but existed before. This shows that main female character has a deep relevance with fan natively and the writer grasped inherent temperament of Hanago as a female exorcist. in this relationship between Hanago and fan. When Hanago who became Monogurui danced with holding a fan at Tadasunomori being worshipped as a holy place of love, it is overlapped with an image of female exorcist who danced with holding a fan in a state of being possessed by a spirit. Happy ending achieved by Hanago is the very result of this incantation of fan in a space of religious belief.
한국일본언어문화학회 [Japanese Language & Culture Association of Korea]
설립연도
2001
분야
인문학>일본어와문학
소개
본 학회는 일본어학 및 일본문학은 물론, 일본의 정치, 경제, 문화, 사회 등의 일본학 전반에 걸친 연구 및 일본의 언어, 문화를 매체로 한 한국과의 비교 연구를 대상으로 하고 있다. 본 학회는 회원들에게 연구 발표 및 정보 교환의 기회를 부여하고 나아가 한국에서의 바람직한 일본 연구 자세를 확립하는 것을 주된 목표로 하고 있다.