Earticle

초록

영어

This paper discusses the image of women of the Taisho era in the women’s　graphic magazine, Fujin-gaho from the point of view of the relationship between women and cloth. Women’s morality has been connected with treating cloth: making clothes means to sit straight and silently keep working hard inside a house while wearing clean, plain clothes meant to keep men’s eyes away. Both actions are connected to women’s chasteness. However, in modern times, the meanings of the two actions began to diverge. On making clothes, although the kind of handiwork had changed from sewing to embroidery or hemstitch of handkerchiefs which was the status symbol of the middleclass, the morality of women’s chasteness remained. On the other hand, on wearing clothes, the morality diminished and geisha’s way of dressing was regarded attractive and their fashion began to fit into general women’s fashion. Also, handkerchiefs became an item to express sadness or coquetry of women and to appeal to men. One of the reasons of the mixture of women’s appearance is the development of consumerism. The other is the succession of Japanese traditional feminine gesture using a cloth such as waving or biting a cloth. Women’s beauty in modern times caused by these two factors was encouraged by the medium of graphic magazines.

목차

1. はじめに
 2. 手仕事が表すジェンダ─モラル
 3. ファッションに関わる女性の役割とイメージの交替・混交
 4. 布と女性のしぐさ
 5. おわりに
 [參考文獻]
 

키워드

저자

• 香川由紀子 [ 淑明女子大学校 日本学科 助教授, 日本文化 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495