Earticle

초록

영어

This paper explores ‘Nature and Man’ by Tokutomi Roka in relation to the novelist’s acceptance of the romantic in western art and literature. A comparison with the paintings of the landscape artist Camille Corot shows that Corot had a profound influence on Roka. In particular, the pleinairism technique of painting, which anticipated impressionism and lays stress on light and color in Corot’s landscapes, was adopted by Roka in his imagery to capture a romantic and pantheistic view of nature. While working as a journalist, Roka published a book on Emerson and Wordsworth, and, in addition to these writers, he derived his romantic influence from Tolstoy, Wordsworth, Emerson, and Carlyle. By demonstrating that Nature and Man adopts the pleinairism techniques of western art and the literary ideology of western romanticism, this paper shows how western transcendentalism permeated modern Japanese literature. Being strongly influenced by various writers, such as Wordsworth, Emerson, Carlyle, and Tolstoy, and learning romantic passion and revolutionary spirits from them is also noteworthy. Like Wordsworth, who revived a return to nature because of his frustration at the failure of the French Revolution, Roka tried to shake off his unpleasant memories of Tokyo by moving to the fishing village of Zushi. Living in Zushi allowed him to develop a sensitivity to nature and master his expressive abilities. As he communed with nature, Roka observed the human world and experienced nature as a deity. Experiencing and meditating on the being of deity as a medium of nature was a consistent attitude of Roka. In this way, Roka incorporated western transcendentalism through the inner contemplation of nature, and the paper shows that this influence was facilitated by pantheistic elements already within Japanese spirituality and culture.

일본어

この論文は徳富蘆花の󰡔自然と人生󰡕を西歐浪漫主義藝術の受容と關聯して考察したのである。テキストの末尾にある評論｢風景畵家コオロ｣は示唆するところが大きいと見た。󰡔自然と人生󰡕の文章は｢光｣と｢色彩｣を重視する｢外光派｣的な特徴が目立つ。自然に対する蘆花の観念は浪漫主義的な汎神論の自然觀である。蘆花は｢民友社｣記者の時節エマーソンとワーズワース評傳を刊行した。この時浪漫主義文人たちの汎神論的自然觀が影響を与えたと見える。本稿は󰡔自然と人生󰡕の作品世界が西歐浪漫主義文
學理念とつながっていると考察することによって日本近代文學の中に浸透した西欧精神を見せようとする。エマーソン、ワーズワース、カーライル、トルストイなど、いろいろな文人に私淑しつつ彼らから浪漫的情熱と革命精神を学んだのも蘆花にとっては特記すべき事項である。ワーズワースがフランス革命の失敗に挫折して自然の中に帰って再生したように蘆花は漁村逗子で住み着いて東京での不快な記憶を振り捨てようとしたのである。逗子での暮らしは自然に対する感受性を磨き、表現力を養った。彼は自然と共感しながら人間の営むさまざまな活動を観察した。特に蘆花は自然の中で神を感じた。自然を媒介として神の存在を感じ、瞑想するのは彼の一貫した文学態度である。これは西洋の超越主義文人たちと一脈相通じていると言える。多神教的な要素の強い日本的情緒は西洋の超越主義文人たちの汎神論的な傾向と通じやすかったのを蘆花を通して垣間見ることができた。

목차

1. 머리말
 2. ‘외광파’ 회화의 기법
 3. 낭만주의 문학이념
 4. 마무리
 [參考文獻]
 
 <要旨>

키워드

저자

• 김난희 [ 제주대학교 일어일문학과 교수, 일본근대문학 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  일본언어문화 [Journal of japanese Language and Culture]

• 간기

  계간

• pISSN

  1598-9585

• 수록기간

  2002~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 730 DDC 495