The conceptual definition of ‘work’ is the most difficult as well as the most important. In the existing Copyright Act, the ‘work’ is defined as a creative work that expresses human thoughts and emotions. The term ‘works of applied art’ means the artistic works that may be copied on the goods in the same shapes, and whose originality may be recognized apart from the relevant applied goods, and that include designs, etc. It is very difficult and risky to determine non-copyrightability of intellectual products because the creativity is not a digital issue but an analogue issue. On the other hand, ‘reproduction’ means to execute construction works in accordance with the models or plans for the relevant construction works in cases of architectural structures. In order to expand the concept of work without imposing limitation on the fields, we need to reestablish the legal basis of requirements demanded for ‘works of applied art.’ Also, the close review is required especially on the basic terms in copyright law such as the term ‘reproduction.’
목차
I. 시작하며 II. 연혁 III. 저작물의 성립요건 1. 인간의 사상 또는 감정의 표현 2. 창작성 3. 분야 한정 요건 IV. 관련 문제 1. 응용미술저작물과의 관계 2. 복제의 개념 V. 마무리 참고문헌
키워드
저작물응용미술저작물창작성복제아이디어 표현 이분법workworks of applied artreproductioncreativityidea-expression dichotomy
본 학회는 지식재산 및 관련 제도(특허, 실용신안, 상표, 디자인, 영업비밀, 저작권, 반도체칩, 컴퓨터프로그램, 데이터베이스, 디지털콘텐츠 등)에 관한 국내외 이론과 실무에 대한 연구를 촉진하여 지식재산분야의 학문간 융합발전과 국제적 유대를 강화하고, 지식재산에 관한 지식을 보급하여 인적 네트워크 구축과 정책제언을 추진하며 이를 통해 국가발전에 이바지하는 것을 목적으로 한다.