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바이칼의 바위그림 - 만하이와 쉬쉬키노를 중심으로 -
The Petroglyphs in Baikal

첫 페이지 보기
  • 발행기관
    한국암각화학회 바로가기
  • 간행물
    한국암각화연구 바로가기
  • 통권
    제4집 (2003.12)바로가기
  • 페이지
    pp.111-136
  • 저자
    이하우
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A24873

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원문정보

초록

영어
The Petroglyphs in ‘Manhay’ and ‘Sisikino’, the historical and cultural monuments in the circumference range of the Baikal lake, are located at the upper stream of 'Lena' and at a branch of ‘Anggara’ river. Of the pictures on the rocks in this area, contents were consistently based on the life in the environment of this boundary. That is no doubt particularly after Iron age. It was considered that some 'Manhay' pictures were drawn by the men who were the same contemporary with artists painted those of 'Sisikino'. This view was regarded the pictures such as a rider of horse in the rock art of 'Manhay' and the hunting and the appearance of the horseman with flag drawing in the middle-low parts of the 'Sisikino' pictures as having used the same style and almost same times.
The ‘Sisikino’, which consists of varied and large pictures and some small carving pictures, are classified two periods as ancient and after-ages. The pictures of an ancient style were found out densely in comparatively higher alter. The other ones were spread in middle and lower. And these features, despite partly same patterns, of ‘Sisikino’ could be seen in the pictures in ‘Anggara’ and ‘Yenisey’ river. Though it was not certain that these aspects were whether a special situation of just the very local areas or the general appearance, through the our comprehensive survey, they were figured out in the pictures of soldiers dancing, of deers with drawing or carving moving cycles in its body, and of describing about a certain historical event with monumental characteristics.
The purpose of our two times exploration - the activities in Siberia and Mongolia - aimed at investigating and looking for the source of our pictures on the rocks in Korea.
Even Some foreign scholar often insisted a hypothesis linking the pictures on the rocks of their country with those of Korean peninsula in the relevance academy fields. Because the research data of the pictures on the rocks in each continent or area had been introduced very fragmentarily or separately so far, I reserved to raise an issue of its source till more data would have been introduced in Korea.

목차

I. 머리말
 II. 만하이 바위그림
 III. 쉬쉬키노 바위그림
 IV. 맺음말

저자

  • 이하우 [ Rhee, Ha-Woo | 한국선사미술연구소 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국암각화학회 [Korea Petroglyphs Research Association : KOPRA]
  • 설립연도
    1999
  • 분야
    인문학>역사학
  • 소개
    이 학회는 한국의 암각화를 과학적으로 연구하고 체계화함으로써 암각화연구 발전에 기여할 것을 목적으로 한다.

간행물

  • 간행물명
    한국암각화연구 [The Journal of Korean Petroglyph]
  • 간기
    연간
  • pISSN
    2466-0418
  • 수록기간
    1999~2025
  • 십진분류
    KDC 653 DDC 740

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