This study analyzed the themes of the theses for mater’s degree majoring in Japanese literature at 39 graduate schools in Korea. Main findings are as follows: (1) The total number of theses for mater’s degree awarded to students majoring in Japanese literature at 46 graduate schools in Korea is 1046 theses which can be divided into 577 theses (55.2%) on Japanese linguistics, 344 theses (32.9%) on Japanese literature, and 125 theses (12.0%) on Japanology. (2) Comparison of the number of mater’s degree theses (2003-2012) majoring in Japanese literature between general graduate school and graduate school of education showed that the former (32.9%) is larger than latter (23.0%). In addition, in terms of classical literature the number of theses is similar but in terms of modern and comtemporary literature, the latter is much larger. (3) The Proportion of period analysis for theses of master’s degree in Japanese literature (344 theses) was in the order of 74.1% (255) for modern and comtemporary literature, 11.6% (40) for Edo literature, 4.9% (17) for Nara literature, 4.9% (17) for Heian literature, and 3.2% (11) for Medieval literature. (4) History book for Nara literature, Monogatari for Heian literature, Gunki monogatari for Medieval literature, novel for Edo literature and modern and comtemporary literature made up the highest proportion. (5) Authors for modern and comtemporary literature novels (206) were composed in the order of 15.0% (31) by Natume Souseki, 7.3% (15) by Akutagawa Ryunosuke and Murakami Haruki respectively, 6.8% (14) by Endou Syusaku and Tanizaki Zyunitiro respecively, 4.4% (9) by Mishima Yukio, 3.9% (8) by Tazai Osamu and Higuchi Ichiyo respectively, 3.4% (7) by Abe Kobo, Oe Kenzaburo, and Mori Ogai respectively, 2.4% (5) by Arisima Takeo and Kawabata Yasunari respectively, and 1.9% (4) by Siga Naoya. (6) The number of literary works by each novelist were in the order of Kokoro and Gate [5] by Natume Souseki, Hear the Wind Sing [6] by Murakami Haruki, Rashomon [3] by Akutagawa Ryunosuke, Shunkinsho, Irezumi, and Naomi [3] by Tanizaki Zyunitiro, Silence [7] by Endou Syusaku, Takekurabe [6] by Higuchi Ichiyo, No Longer Human [3] by Tazai Osamu, Conciliation [4] by Siga Naoya, The Woman in the Dunes and The Face of Another [3] by Abe Kobo, A Certain Woman [5] by Arisima Takeo, Snow Country and Capital [2] by Kawabata Yasunari, Nip the Buds and Shoot the Kids [2] by Oe Kenzaburo, Confessions of a Mask [3] by Mishima Yukio, Goose and The Dancing Girl [2] by Mori Ogai. (7) Period composition of classical literature were made up of Manyoshu [7] and Kojiki [5] for Nara literature, Gengi Monogatari [9], Ise Monogatari, and Konjaku Monogatarishu [2] for Heian literature, Heike Monogatari and Towazugatari [2] for Medieval literature, Ugetsu Monogatari [9], (O)togi Zoshi, and (O)togi Boko as well as Chikamatu Monzaemon (The Love Suicides at Sonezaki [3] etc.), and Ihara Saikaku(Nihon eitaigura [2] etc.) for Edo literature.
목차
1. 들어가는 말 2. 선행연구 3. 조사 방법 4. 조사 결과의 분석 및 고찰 4.1 일반대학원과 교육대학원의 일본문학 전공 석사학위논문 (2003-2012년) 비교 4.2 일반대학원 일본문학 전공 석사학위논문의 현황 5. 맺는 말 참고문헌 논문초록
키워드
일본문학석사학위논문주제일반대학원Japanese literaturemaster's degree thesisthemegeneral graduate school
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.