This study examined Sin Dongyeop’s representative epic poem,『Geumgang』, and Jiānghé’s The Sun and its Reflected Rays and found some of the similarities between them as follows. First of all, they did not describe the narrative objectively. Sin Dongyeop’s epic poem depicts the process that a person of mean birth becomes a hero whereas Jiānghé’ s tells us the process that a divine being is becoming a human being. Second, the narratives about those heroes’ overcoming of hardships all develop towards death. The main characters go through the journey of hardships not remaining in the conflicts or ordeals they are in but deciding to fight to resolve them and set off to travel. Third, they take different sorts of symbols as the sky and the sun. In Sin Dongyeop’s poem, ‘the sky’ is fixed as the absolute value that is not always seen but we want to believe in and pursue whereas in Jiānghé’s poem, ‘the sun’ shows dynamic aspects with constant generation and change. Fourth, about time, both of them develop centered around the past. In the poems where the narrative develops, this may work as rather a hindrance factor that gets in the way of their flow. Despite that, they cross-match the present time, too, so the writers’ subjectivity and lyricism give an intervening function. Fifth, it is about the matter of persons in terms of the context like the viewpoint. In Sin Dongyeop’s poem, the first and third persons are included complexly, but in Jiānghé’s, there is no distinction like that, and all are substituted to the third person like ‘he’ or ‘she’.
목차
Ⅰ. 서론 Ⅱ. 60ㆍ80년대 한ㆍ중 ‘서사시’의 재등장과 문학사적 배경 Ⅲ. 신동엽의 『금강』과 쟝허의 「태양과 그의 반사광선」에 드러난 ‘저항성’ 비 Ⅳ. 결론 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.