Earticle

초록

영어

This article aims to speculate on how the nature of communication is changing with respect to the production, manipulation and distribution of signs on various digital platforms by making a detour to the reviewing of the traditional paradigm of communication on the basis of Jacque Derrida’s critique of Austin’s speech act theory. The Derridian notion of iterability can be a clue to inquire into the contextual limit on the singularity of an event which Austin promulgates as the essence of linguistic performativity. As Derrida argues, communication must be iterable, that is, both repeatable and alterable, since it always tends toward the possibility of moving from one context to another. The interface in digital communication can be understood in terms of the Derridian sense of iterability in communication, in the sense that the interface functions basically as a transmutable platform where a digital sign performs its reciprocal acts of sending and receiving. And the iterable mechanism of digital communication can provide a useful clue to pinpoint the significance of the Digital Humanities in our time, since the most fundamental task of this new hybridized discipline would be how to montage various sets of database for the maximized qualitative use in humanities research and education. Thereby, digital communication tends toward an epistemological mapping by intersecting various layers of virtual time and space.

목차

1. Digital Culture and Communication
 2. Traditional Concepts of Communication: Condillac and Austin
 3. Iterability: Derrida’s Critique of Singularity in Communication
 4. Communication and Digital Semiosis
 5. Communication in the Context of the Digital Humanities
 Works Cited
 Abstract

키워드

저자

• Youngjeen Choe [ Chung-Ang University ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  인문언어 [LINGUA HUMANITATIS]

• 간기

  반년간

• pISSN

  1598-2130

• 수록기간

  2000~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 705 DDC 405