The paper explores, examines and reinterprets the text Hamlet from a psychoanalytic point of view that has been suggested but has not been explored in detail. The paper tries to discern whether the actions of Hamlet truly qualifies as a revenge or if the associated tragic connotations are simply from family fallouts, disagreements and misunderstandings that lead to subsequent tragic actions due to Hamlet’s oedipal complex. Hamlet’s obsession and his self-indulgence seems to be key to his ‘actions’ in the play. The paper shows as to why Hamlet should be regarded as a story about petty ‘revenge’ and as to why Hamlet as a traditional tragic hero fails, based on the arguments on the actuality of the Ghost not to mention the actuality of the circumstantial situation represented Hamlet is not a traditional tragic hero for the simple reason that he does not satisfy the aesthetical reasons to be labeled a traditional tragic hero because the reasons for his actions are more for personal satisfaction then noble or honorable. Finally, Hamlet is a personnel vendetta story, a Prince who takes vengeance for something that he cannot posses, mainly his mother. The Oedipal complex is why and where the tragedy starts and ends in Hamlet. It is not something that is Epical in nature but personnel.
국제언어인문학회 [INTERNATIONAL ASSOCIATION FOR HUMANISTIC STUDIES IN LANGUAGE]
설립연도
2000
분야
인문학>언어학
소개
국제언어인문학회는 '언어를 통한 인문학 연구'의 필요성에 동감하는 여러 전공분야 학자들의 뜻을 담고 있습니다. 언어에 초점을 맞추는 것은, 다양한 전공분야의 참여에서 생겨날 수 있는 '이질적 집합'의 상황을 극복하기 위한 장치입니다. 현재로서는 작은 불씨를 지핀 것에 불과합니다. 그러나 이렇게 일구어진 불꽃이 새로운 학풍의 바람결에 커다란 섬광으로 빛나게 될 날이 올 것을 우리는 확신합니다. 우리의 학회와 학술지는 인문학 불변의 가치와 시대적 사명을 인식하는 국내외의 학자들을 향해 활짝 개방되어 있습니다. 특정 전공의 범위를 넘어서서 철학, 문학, 언어학, 종교, 역사, 문화, 예술 등의 시각에서 언어의 본질을 토론할 기회가 될 것입니다.