This paper is to study on the meaning of deaths of Soeda and Hozumi in Between God and Human by Tanizaki Jyunichiro, of which the plot deals with the case of Odawara. In addition, the analytical observation was carried out on the connotative meaning of the book title. Soeda, who had lived all his life as a wicked man, disregarded a true life. His whole life was fixed on future from the present in his gaze. Therefore, in that he failed to look into his internal self, he was as good as murdered by an external world. However, at the moment of his imminent death, he felt the pain that he had had before, and finally he realized the cause of his pain. That is to say, he was greatly tortured by looking into his internal life turning his eyes on the past. From that remorse, and from the recognition that he was killed by outside world, his real death could be possible. Meanwhile, Hozumi, who had agonized between ‘God’ and ‘human’ in order to eliminate ‘evil’, made up his mind to become an evil god in the end. However, after witnessing the true figure of human at the death of Soeda, Hozumi no longer stand his appearance of evil god, eventually returning back to ‘human’. At last, his last choice he had made was a death in order not to make even Asako a wicked human. Human being might possibly be snobs in some sense. Consequently, men may recognize the moment of softness with the wisdom of hindsight only at the imminent death. But there may be a possibility to find out and taste this softness long before physical death, that is, our heart stops and our brain lose its cognitive function, arrives.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.