Earticle

현재 위치 Home

중국

白薇의 自傳的 희곡창작과 後作에 대한 영향 - 「유령탑 탈출(打出幽靈塔)」을 중심으로 -
Study on the Baiwei’s autobiographical play and effects of it - Focused on 「Out of the Ghost Tower」 -
백미의 자전적 희곡창작과 후작에 대한 영향 - 「유령탑 탈출(打出幽靈塔)」을 중심으로 -

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제41집 (2014.12)바로가기
  • 페이지
    pp.181-198
  • 저자
    한상덕
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A239060

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
Baiwei is the first woman playwright who was engaged in writing a play in contemporary chinese dramatical history. She wrote twelve plays for ten years starting from 1926 and the most famous work is Out of the Ghost tower. This play which is based on her own tragic life describes women who unite in struggling for chinese traditional paternal authority and depicts the sorrow of chinese women in old era. she with a strong sense of feminism hopes women can find a solution to women’s liberation for themselves through the play. It was from a sense of responsibility for the society that made Baiwie write 「Out of the Ghost tower」. She started creating literature to speak for people who were oppressed, disclose the oppressor’s crime and attack those who have power with the help of literature. Thus this purpose of creation is well expressed in 「Out of the Ghost tower」. The main plot of 「Out of the Ghost tower」 is incest in complex family relationship and class strife outside the family. The center figure of a conflict is Hu-rongsheng, who is like a ghost in a family similar to a ghost tower. All conflicts in the play are related to him. She criticizes a male-dominated social system in chinese old era through the conflicts and emphasizes female independence and human dignity. Cultural historical value in 「Out of the Ghost tower」 is that a sense of feminism is clearly reflected in it. There were plays before by male writers which emphasized female independence but expectably they couldn’t be free from a male-dominated viewpoint and restriction of feudal culture. However Baiwei showed a woman-centered advanced view clearly out of this kind tendency. She as the left wing writer once plainly demonstrated a political character. In other words she delivered the needs of the times reflecting revolution and militancy in her works. 「Leiyu」 by Caoyu is a script which was written 6 years after 「Out of the Ghost tower」. With regard to the plot of the play, development of the story, complex blood relationship between characters and the cast, they are similar even if it is a coincidence. Some are convinced that the successor referred to the original work but they can’t find out any evidence so they just assume that. Anyway 「Out of the Ghost tower」 by Baiwei is meaningful in the way that it contained a tragic life of women in the old china and a slogan demanded by the politics of the times and played a role as a voice of the age well in the manner of autobiographical writing.

목차

Ⅰ. 들어가기
 Ⅱ. 작품 창작 배경
 Ⅲ. 자전적 스토리와 여성 구원의 주제
 Ⅳ. 문학사적 의의와 後作에 대한 영향
 Ⅴ. 마무리
 참고문헌
 논문초록

저자

  • 한상덕 [ Han-sangdeok | 경상대학교 인문대학 중어중문학과 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

이 권호 내 다른 논문 / 동북아 문화연구 제41집

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장