잊혀지는 식민지, 다나카 히데미츠와 제국의 망각 : <천마(天馬)>의 질문과 <취한 배(酔いどれ船)>의 대답
The Forgotten Colony, Tanaka, Hidemitsu and the Oblivion of Empire - The Question from Cheon-ma(The Horse of Heaven) and the Answer from Chwihan bae(Yoidore-bune/The Drunken Ship)
Kim, Sa-ryang asked several questions through Cheon-ma(The Horse of Heaven) to a Japanese writer, Tanaka, Hidemitsu when New Order Movement was spreading following the outbreak of the Sino-Japanese war. The question was about the area called Joseon, Joseon language, and Joseon culture. Tanaka did not answer it until 8 years after through Chwihanbae(Yoidore-bune/The Drunken Ship). Japan’s defeat in the war could be one reason of course but the answer that Tanaka gave through Chwihan bae(Yoidore-bune/The Drunken Ship) was full of empty words. In other words, it was just an answer without answer. It said that Tanaka himself was another victim of imperialism. Besides, Tanaka kept expressing that he comprehended well about Joseon, Joseon people, and joseon culture in his work. Every logic in his work was depending on imperialistic orientalism from adoption of spy fiction form, to ignorance, prejudice and misunderstanding about Joseon, Joseon people and Joseon language; furthermore, he expressed his memory that was transformed and fabricated after defeat in the war in his work. He cleverly whitewashed and eliminated the fact that he actively tried to transfer Joseon literature during the colonial period into empire literature. Tanaka’s attitude was closely related to the way how empire regarded colony. The historical fact of Japanese defeat in the war led the postwar Japan to the unexpected direction. Asia, including Joseon, was forgotten, or deleted while the Greater East Asia War was renamed the Pacific War; the logic that Japan and Japanese people except some warlords were another victim was reinforced by this. As a result of looking for the cause of war from inside of Japan, a nationalistic structure that 「inland=Japan」, 「people=Japanese」 was set in. Tanaka’s Chwihan bae(Yoidore-bune/The Drunken Ship) accords to this structure, so-called ‘Oblivion Empire’.
목차
Ⅰ. <천마(天馬)>와 <취한 배(酔いどれ船)> Ⅱ. 자기합리화의 서사 장치와 제국의 시선 1. 경성이라는 판옵티콘과 스파이 모험담 2. 제국의 시선과 대답 없는 대답 Ⅲ. 변용 혹은 조작되는 기억과 제국의 망각 1. 기억의 변용 혹은 조작과 전후의 논리 2. 전후 일본과 제국의 망각 Ⅳ. 제국이 식민지를 기억하는 방식-결론을 대신하여 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.