Earticle

초록

영어

This paper examines two key elements of “contraction” and “expansion” in relation to the way in which Wonil Rhee used space in his curatorial practice. Drawing on Gilles Deleuze’s notion of "the fold (le pli)" in a close reading of one of his last texts published in 2010, it explores the implication of the elements in the theoretical context of Rhee's curatorial practice. Along with such concepts as “postcolonialism,” “Asianness,” “technology,” and “creative paradox,” the elements serve to deconstruct confrontations between west/non-west, the cultural colonizer/the cultural colonized, thereby challenging conventional boundaries. The logic of resistance and confrontation in Rhee's early curatorial practice has gradually given way to that of “hybridization, openness, intersection, assimilation, conciliation, and communication” through metaphors such as “thermocline” and “poktanju” (bomb drink; a kind of cocktail comparable to American boilermaker), which he addressed in the exhibition at ZKM in 2007. This show provided a turning point presenting the “pocket model,” that Rhee drew from Deleuze's concept of the fold. Analyzing the exhibitions Rhee curated after the ZKM show, this paper delves into the notion of flexible space, which constantly oscillates between “contraction” and “expansion,” a space that operates like the fold of Deleuze. There is a cycle of innumerable inflection in the world of the fold, creating decentralized, uncertain, and diverse spaces. The inside of the fold is the space of potentiality where differences keep arising but are not realized. This space is after all realized from potential space through the systemization and rearrangement of time. The fold is like the “organ without the body” or the “egg.” This paper suggests that Rhee’s “thermocline” or the “pocket model” unfolds the movement of creation where the fold transforms itself through a repetition of “contraction” and “expansion.”

목차

I. 서론
 II. 이원일 큐레이팅의 공간 연출 : 주머니 모델로부터
 III. 들뢰즈의 바로크 공간 : 주름
 IV. 이원일의 터모클라인과 주머니 공간 : 수축, 팽창, 접힘, 열림
 V. 이원일 큐레이팅의 공간 연출 : 잠세태의 운동성과 현실화의 사건
 VI. 결론
 참고문헌
 Abstract

키워드

저자

• 김성호 [ Kim, Sungho | 성신여자대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  미술이론과 현장 [The Journal of Art Theory & Practice]

• 간기

  반년간

• pISSN

  1738-1789

• eISSN

  2508-3538

• 수록기간

  2003~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 601 DDC 701