Earticle

초록

영어

In audio engineering, early reflection patterns are not usually variable, such as the user makes a selection from a handful of stored patterns simulating various rooms, halls, chambers and plates, or small room ambience, reflections is variable. To create digital reverb is much more complicated than combining a few digital relay units. The greater the spacing the larger the room sounds. Some difficult problems happened in recording situation is that every acoustic instrument engineers record sounds small or dry because their recording room does not have the same degree and circumstances of acoustic ambience as good as concert halls or venues. As a matter of fact that the same situation is also true of the most professional studios, apart from those with large, live rooms, and most pop music is recorded dry enough, either in a dry environment. In that case, people use close miking technique to get right sound source. Electronic effects units are used to recreate the desired ambience, and by far the most important effects unit of them all is reverberation.

목차

Abstract
 1. Introduction
 2. Reverberation
  2.1 Reverberation time
  2.2 Digital reverb
  2.3 Available parameters
 3. Conclusion
 References

키워드

저자

• Yoemun Yun [ Dept. of Applied Music, Chungwoon University Daehakgil-25, Hongseong, Chungnam, South Korea ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  International Journal of Multimedia and Ubiquitous Engineering

• 간기

  월간

• pISSN

  1975-0080

• 수록기간

  2008~2016

• 등재여부

  SCOPUS

• 십진분류

  KDC 505 DDC 605