Earticle

초록

영어

Horizontal relationship between soldiers and village people shown in the movie enabled us to discover director’s will to pursue an invisible imagined community through the movie and the village is forming a place of communication for the general public who dream a new world for an ethnic group through it. Also, the novel 『BianCheng』shows pure and simple appearance of Miáozú(苗族) by forming an ideal world named ‘chátóng(茶峒): tea village’ as a manifestation of author‘s patriotism, expressing the author’s will to recover invisible horizontal relationship throughout the war-torn China jumping over Xiāngxī(湘西) area. Evaluating him simply as a revivalist, purist or pacifist is no more than a very glimpse evaluation of his world of art works. Shen congwen‘s will to pursue such an imagined community introduced in this thesis is not reflected in a variety of evaluations on his work. Thus, this thesis inquired into the possibility of his will toward an imagined ethnic community by comparing through a Korean movie.

목차

1. 서론
 2. 민족 지향성과 민족 공동체 건설에 대한 구상
 3. 상상의 공동체에 대한 해석-영화 <웰컴 투 동막골>과 소설 『邊城』
  1) 공간에 대한 해석
  2) 언어와 인물에 대한 해석
 4. 결론
 참고문헌
 논문초록

키워드

저자

• 이강인 [ Lee, Kang-In | 중국 산동성 제남시 교통대학 교환교수 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950