‘동양의 런던’, 근대 해항도시 上海의 도시 이미지 - 공공조계를 중심으로 -
The Urban Images of a Modern Sea Port City, Shanghai called “London of the East” - Focusing on the Shanghai International Settlement - ‘동양의 런던’, 근대 해항도시 상해의 도시 이미지 - 공공조계를 중심으로 -
Having various urban images as such ‘Paris of the East’, ‘London of the East’, ‘New York of the West’, etc. Shanghai had yet become one of the six big cities of the world with its population amounting to over three million. This article aims to search for the reason for why Chinese don't prefered to call it ‘London of the East’. The rapid development of Shanghai as the typcal big city of modern China was connected profoundly to its particular urban spaces of Shanghai International Settlement and the French Concession. We examined how the Shanghai International Settlement had been constructed and Shanghai's urban images had been made up focusing on “Huangpujiang” defined mainly by edge-Waitan(Bund)-, path-Nanjing Road-, and landmark-Hongkong Shanghai Bank. And we interrogated into the activities and documents of contemporary Chinese, Korean and Japanese intellectuals and literary artists which had displayed at the bank and Shanghai Club of Bund, a physical space that made its modern urban images up. Absolutely, their such ideas lacked the accurate appreciations of reality. However, alongside of ‘old-Shanghai Nostalgia' phenomena which tried to recover the abundance and culture of 1920․1930s' Shanghai come to life again today.
목차
Ⅰ. 들어가는 말 Ⅱ. ‘동양의 런던’, 공공조계의 탄생과 발전 1. 工部局과 公共租界 2. ‘동양의 런던’ Ⅲ. ‘동양의 런던’과 사람들 1. ‘동양의 런던’과 영국인 2. ‘동양의 런던’과 동양인 Ⅳ. 나오는 말 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.