Don'o Kim's all works were written by English and hero of each work was Asian except Korean. He persued objective ‘Others’ through complete non Korean establishment in his works. Therefore, Don'o Kim attained ‘ordinary thesis’ beneath latent identity of Korean. ‘Deterritorializational Writing’ is Don'o Kim's special discourse techniques. He tried to open release space of discourse between motherland and immigrated land through it. My name is Tian obtained universality beyond regional and individual point by succeeding to represent transcendental truth of “human genuineness” in the course of growth history of a boy through Vietnamese war. That is to say, My name is Tian was nearer to substantial truth of Vietnamese war through a Vietnamese boy's ordeal. Password is invading record of Western Imperialism in Central Asia. In this novel, Author surveyed tragic destiny of Asia and Asian through frustration of a idealistic Chinese eliteofficer. Password emphasised thriller - effect by using anachronic time through mixture of past and present. The Chinaman is ecological report in Great Barrier Reef as well as capture of inner-view in Australian immigration society. Author asserts Asian's phase in Australian immigration society through deep consciousness of a Japanese youngman. Meanwhile, there stand together inward of Joe as hero and Don'o Kim as Asian writer by inserting of reminiscences in Chinaman. Thus, I concluded Don'o Kim commanded special discourse techniques to enter major Australian literary circles.
목차
1. 서론 2. 돈오 김 소설의 담론전략 3. 시간비약과 소년의 성장 ; 『내 이름은 티안』 4. 시간교란을 통한 서사 ; 『암호』 5. 작중 회고록에 의탁한 메시지 ;『차이나맨』 6. 결론 참고문헌 논문초록
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.