Korean novels in the 2000s have the tendency to depict marriagemigrant women as innocent victims of Korean capitalism. Female figures,who are not able to settle down due to infertility, abortion, avoidance ofpregnancy, or pregnancy with sexual violence, cannot but be driven toextreme situations and face with such tragic results as murder, suicideand being killed. This kind of formalization of marriage migrant womenderives from writer’s negative attitudes towards international marriagewhich is carried out by instrumental purpose. Perspectives that areinclined to sympathy and compassion upon marriage migrant womenmake writers create figures as‘ others.’ Seo Seong-ran’s 「Paprika」depicts marriage migrant women’sexistential problems via heterogeneous perspectives of Chu Yen, whoresolutely carried out marriage migrant to realize her expectation anddesire for better life, and Jung Il, a typical Korean farmer. Marriage migrant women, who are alienated by different language,residential environment and lifestyle, are the subjects of sexual desire,suffer from the obligation and suppression of reproduction of husband’sfamily, and the work they have to carry out as a housekeeper and worker, hurt badly with Korean people’s discriminatory perspectiveswhich regard them as pitiful women who were sold out by their povertystrickencountry, and then become‘ others.’ Suppression, alienation anddiscriminatory perspectives make marriage migrant women anxiousabout their identity and cause many problems for them to settle down inKorea. 「Paprika」grasps and depicts routine violence, marriage migrantwomen suffer from, and then presents their urgent existential problems,thus pointing out the fact that they are not alienated ‘others’butcompanions, we have to live with.
목차
1. 다문화사회와 결혼이주여성의 등장 2. 한국소설에 나타난 결혼이주여성 재현 양상 1) 지구적 자본주의 시대의 희생자로서의 삶 2) 탈경계적 낭만적 사랑 3. 결론 참고문헌 Abstract
키워드
한국현대소설결혼이주여성형상화「파프리카」타자화실존차별소외Korean modern novelMarriage migrant womenFormalizationPaprikaMaking into othersExistenceDiscriminationAlienation
한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국
문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문
예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다.
전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강
사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의
목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참
여하고 있습니다.
연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나
와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을
넓히고 있습니다.
한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수
시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다.
별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도
교사 자격 시험'도 운영하고 있습니다.
The Society of Korean Literary Creative Writing is a pure academic
association for the literary cretive writing, and was organized on November
11, 2001 for the purpose of presenting the new direction of literary creative
writing by studying all the methods to activate and develop the theories of
literary creative writing and its education.
Our society is composed of professors or ex-professors, some invited
professor, lecturers, graduate students of the dept. of literary creative writing
as regular members, and the persons interested in our program as associative
members.
Our society holds an annual academic meeting-- literary symposium,
literary creative writing seminar-- and publishes the journal of our society
and our members' anthology of literary works.
Added to these, our society has already started a new project to open the
way for our literary juniors by providing them with a certificate as a leader
and holding a forum for literary creative writing.
간행물
간행물명
한국문예창작 [The Journal of Korean Literary Creative Writng]