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이형기론 — 이미지를 중심으로
The Study of Lee Hyeongki — Focus on the Image

첫 페이지 보기
  • 발행기관
    한국문예창작학회 바로가기
  • 간행물
    한국문예창작 KCI 등재 바로가기
  • 통권
    제12권 제3호 통권29호 (2013.12)바로가기
  • 페이지
    pp.57-88
  • 저자
    박재원
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A209041

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원문정보

초록

영어
Poet Lee Hyeongki has created a world of poem with his uniquegrammar and fresh images. His aggressive poem spirit that is shownfrom the analysis is equivalent to painful permeation through cold objectsand phenomenon. This thesis focuses on his subject consciousness andembodiment of senses. He established his notion of poem as the vision of process. Selfawarenessof a poem is expressed as a desperate dream. Therefore,cacophony with the inevitable world has to be on the premise. He seesthrough the world with deep insight of anguish and shows sharp images. The subject is incarnated by a way of direct speech and it expands thecomprehensive meaning of the subject and such emotions likedisharmony, contradiction, despair, falsehood are embodied by usingserious and vivid images. Also by using grammar that overcomes a limitand shows immortality and borrowing according images, he expresses asolemn image of a poem with a clear insight. It promotes a poetic escapefrom recognition of reality that anxiety of extinction resulted fromlimitation can be a part of hallucination, and from a sense of grief or futility brought by the reality. And it helps readers to confront the limit ofovercome and it incessantly guides the sense that elaborates aboutimmortality which is more than just a limit. On one hand, the focus of the poem consciousness is expanded into anextraneous intuition and then expressed as a cold-hearted reaction. Inside a painful sense of consciousness resulted from awareness, anextraneous image formed by a strange penetration keeps bringing aboutan association that calls in creative thinking. The poet creates a peculiardynamic world with an exotic identity expansion of a sense andpromotion of delaying thinking. He embraces it as an active subjectaccepted by irregularity and dissolution, not an objective result’s passiveawareness produced by time and space order. This is his fundamentalpoem spirit and acts as an important tool for poem imagery. Andtechniques and criteria do not go beyond a certain limit and are appliedto a poem effectively. The elements show sharp characteristics. Cold andnegative images such as animosity, anger, murderous intent, death areused as main elements. Due to his poetic attitude, elements that aresuppressed in our daily lives turn into something meaningful. Itcontemplates relations of poetic world that give different images andfeelings, thus creating meanings. Also the consciousness of poem develops into deep contemplation aboutdeficit-orientation. A dream, so-called vision of process as a poetic study,is a limit of reality and deficit which is a complex. The poet’s deficitorientedaspiration is built on the foundation of processing as one of waysto understand the world. In his poem, the vocabularies that are used assubject-oriented key words such as futility, desperation, solitude,destruction are produced from the deficit. Holding on to and becomingobsessed with these is a sort of effort that is made in order to reach the absoluteness of a dream. It becomes his another pride and it is fulfillmentof carrying out the poet and poem’s bonafide conditions. However, theprocess is equal to worry, frustration, and heartbreak. It is finding thecorridor of existence, and at the same time it’s bring about the fruit ofsincere creation. The poet’s consciousness of aim is introspection aboutunderstanding human existence.

목차

1. 머리말
 2. 치환적 감각의 세계인식
  1) 세계와의 화해 거부와 비극적 인식
  2) 불멸성의 역동적인 지향
 3. 감각의 형상화 과정
  1) 이질적 직관의 반응
  2) 결핍 지향 의식
 4. 맺음말
 참고문헌
 Abstract

저자

  • 박재원 [ Park Jaewon | 국제대학 교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국문예창작학회 [The Society of Korean Literary Writing]
  • 설립연도
    2004
  • 분야
    인문학>문학
  • 소개
    한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국 문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문 예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다. 전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강 사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의 목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참 여하고 있습니다. 연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나 와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을 넓히고 있습니다. 한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수 시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다. 별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도 교사 자격 시험'도 운영하고 있습니다. The Society of Korean Literary Creative Writing is a pure academic association for the literary cretive writing, and was organized on November 11, 2001 for the purpose of presenting the new direction of literary creative writing by studying all the methods to activate and develop the theories of literary creative writing and its education. Our society is composed of professors or ex-professors, some invited professor, lecturers, graduate students of the dept. of literary creative writing as regular members, and the persons interested in our program as associative members. Our society holds an annual academic meeting-- literary symposium, literary creative writing seminar-- and publishes the journal of our society and our members' anthology of literary works. Added to these, our society has already started a new project to open the way for our literary juniors by providing them with a certificate as a leader and holding a forum for literary creative writing.

간행물

  • 간행물명
    한국문예창작 [The Journal of Korean Literary Creative Writng]
  • 간기
    연3회
  • pISSN
    1598-9267
  • 수록기간
    2004~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 802 DDC 800

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