Lionel Trilling said that Fitzgerald was perhaps the last notable writer to affirm the Romantic fantasy, descended from the Renaissance, of personal ambition, of life committed to, or thrown away for, some ideal of self. F. Scott Fitzgerald may stand as an exemplar of self-exploitation in the novel. His life and works were so interwoven that the distinction between them blurs. The life and novels of Fitzgerald may be said to represent a sequence of themes characteristics of the clinical syndrome termed the "Icarus complex." All of Fitzgerald's heroes are ambitious and they ask a great deal of life. I3ut when they have attained a certain height, the heroes fall down as Icarus fell when the sun had melted his waxen wings. Different to the above explanation, this thesis is aimed to analyze the surroundings-circumstances of the characteristics of the heroes and views them not on the basis of Icarus complex but on christian perspective from Anthony Blaine in This Side of the Paradise, Anthony Patch in The Beautiful and Damned, Jay Gatsby in The Great Gatsby, Dick Diver in Tender is the Night to Monroe Stahr in The Lust Tycoon. Such a conclusion might be expected that Fitzgerald shows the impressive sensitivity to what religion is all about and even an emotional attachment to the dramatizing color and ritual which he intellectually mocked and criticized before.