Earticle

초록

영어

Bumsuk Cha is known as a representative realist playwright in Korea. He has received high praise in inheriting and developing the spirit of Korean realism drama. However, researches on his works have been also focused too much on the socio-structural aspect and his masterpiece, Sanbool also was no exception. As Cha himself emphasized the human individuals in terms of realism, realism drama has character of representing spirits of individuals including structural features. Realism drama represents the objectively existing world as faithfully as possible, and shapes dramatic illusion from reality. In these sense, we may say that realism drama is a metaphor. Sanbool is a metaphorical work that reproduces a variety of secret social desire. When it was staged at the National Theatre in December 1962, Keunsam Lee provided clue for analysis of desire, comparing Sanbool to Lorca’s La casa de Bernarda de Alba. This essay is aims to analyse the work focusing on these individual desires. In other words, this essay is to try to get an objective view for the distance between ideology and desire, showing that there is nothing beyond the ideology. I first regarded Sanbool as a symptoms because Cha also uttered the historic incident of South Korea war in terms of social symptoms, approaching metaphorically. And then, I will try to reveal the nature of the era’s desire that Sanbool shows, analyzing the space for desire, variation of subject and phenomena of mourning.

목차

Ⅰ. 증상으로서의 <산불>
 Ⅱ. 욕망을 위한 공간 배치
 Ⅲ. 성적 주체와 욕망의 순환
 Ⅳ. 죽음충동과 반성적 주체
 Ⅴ. 아름다운 영혼의 과정
 참고문헌
 日文抄錄

키워드

저자

• 이봉일 [ Lee Bong-il | 경희사이버대학교 문화창조대학원 미디어문예창작전공 교수. ] 제1저자
• 손정섭 [ Sohn Jeong-seop | 경희사이버대학교 문화창조대학원 미디어문예창작전공 석사과정 ] 교신저자

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  국제한인문학연구 [The Journal for Oversea Korean Literature]

• 간기

  연3회

• pISSN

  1738-4249

• eISSN

  2671-9894

• 수록기간

  2004~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 810 DDC 895