The study of Pyŏn Kangsoe-ka (hereafter PKSK) reached its peak in the 1980s and 1990s. However, several important topics in PKSK still remain provocative and unexplored. This study attempts to bring new approaches to the debates regarding how to interpret the identity of the main character Kangsoe and what the actual theme (as opposed to the surface theme, namely, lewdness) of the work is in order to clarify a number of contradictions in the PKSK not explained in extant research. Contrary to the presupposition that there should be a single consistent theme in PKSK, one can identify more than one possible theme and hear multiple voices in the work. Any work of fiction, as Bakhtin argues, represents a “multiplicity of styles” and exemplifies the idea of the “nonexistence of a one-voiced novel.” This essay argues that there was an intentional and systematic revision of PKSK by Sin Chae-hyo, who thoroughly compiled the work. Kangsoe can be seen as an alter ego of Sin Chae-hyo in that they share exceptionally high levels of self-aggrandizement, resulting mainly from the discontent that their talents were not properly appreciated. As a frustrated scholar, Sin’s escape from reality was accomplished through his devotion to p’ansori, just as Kangsoe’s only escape is his devotion to carnal desire. Kangsoe is used to betray Sin Chae-hyo’s resentment toward an absurd social system, his disdain for the petty moralism of yangban, and his unrestrained pursuit of aesthetic value in erotica. Teptŭgi and Kangsoe, as the two polemic reflections of Sin Chae-hyo’s inner conflict, betray the realism and idealism of Sin, respectively. Eventually, Sin makes the realistic version of his alter ego annihilate the idealistic version.
목차
Abstract INTRODUCTION NOTABLE TOPICS DISCUSSED IN PKSK STUDIES KANGSOE AND ONGNYŎ: IDENTITIES KANGSOE AS A TRAGIC HERO : KANGSOE DESCRIBED BY HIMSELF THE CONFLICT BETWEEN KANGSOE AND THE CHANGSŬNG CONCLUSION: TEPTŬGI AS ANOTHER ALTER EGO OF SIN CHAE-HYO GLOSSARY REFERENCES
키워드
identity of Pyŏn Kangsoesurface theme and actual themealter egononexistence of a one-voiced novelmanipulation of the emphasis on lewdness
저자
KWON HYUK-CHAN [ Assistant Professor in the Department of Chinese, Translation and Linguistics at the City University of Hong Kong, China. ]
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.