This article investigates representations of the Korean War in South Korean cinema, focussing on Pak Kwangsu’s To the Starry Island and Yi Kwangmo’s Spring in My Hometown and using the notion of cultural imagination, in which cinematic representations contribute to collective understandings of war. The article builds from Isolde Standish’s 1992 analysis, which argued 1990s Korean War films took an opposite stance to previous representations of the war while continuing to rely on nationalistic and melodramatic discourses. This article argues that in terms of their representation of the causes and character of the Korean War and their formal characteristics, Korean War films from the 1960s onwards are marked by continuity and rely on many of the discourses identified by Standish to account for the conflict; namely an externalisation of blame, problem-solving violence, and a narrative structure that displaces historical problems onto individual dramas. I argue To the Starry Island and Spring in My Hometown are unique because they place a far greater burden of blame on the Korean population and provide genuine critiques of the Korean War’s destruction. The films produce more ambiguous readings of the violence and identify reprisals as a key feature of the conflict, a phenomenon largely neglected in other Korean War films. To the Starry Island avoids a more romanticised treatment of pre-war Korea, presenting more anonymous sites of conflict that detract from heroic narratives of national mythmaking. Spring in My Hometown is a formally challenging work, and both films implicate the viewer in a brutal conflict.
목차
Abstract INTRODUCTION HISTORICAL BACKGROUND ROOTS OF THE WAR THE CHARACTER OF CONFLICT NARRATIVE AND STYLE TO THE STARRY ISLAND AND SPRING IN MY HOMETOWN CONCLUSION REFERENCES
키워드
Korean WarTo the Starry IslandSpring in My HometownPak KwangsuYi Kwangmo
저자
ANDREW DAVID JACKSON [ Assistant Professor of Korean Studies at the University of Copenhagen, Denmark. ]
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.