Earticle

현재 위치 Home

튜더왕조의 복수 극에 나타난 사랑
The Love of Revenge Dramas in the Tudor

첫 페이지 보기
  • 발행기관
    대한영어영문학회 바로가기
  • 간행물
    영어영문학연구 바로가기
  • 통권
    제19권 제2호 (1995.12)바로가기
  • 페이지
    pp.165-184
  • 저자
    박선희
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A20567

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
Love as it appeared in all the characters in the Tudor revenge plays, Gorboduc, The Spanish Tragedy, and The Jew of Malta, which I have discussed is devalued or degenerated by deflecting love into revenge. This deflection of love ostensibly seems to depend on each character's will or nature, but is influenced by the external events and the conventions of the society he belongs to. The lack of God-like love in Tudor drama is assumed to be one of the reasons for the degeneration of love into revenge, hate, and murder, the deflected form of it. In Tudor drama A Woman Killed With Kindness which is a romantic drama is considered to present the ideal of love for the Tudor period and a social value of love which is not classical, but is a form of civility. Although none of these three plays shows the real principle of order in the universe, they implicate the moral policy and the system of justice in the Tudor period. The weakness of human beings in carrying out moral justice depends on the custom and the law of nature without knowing the certain barrier between the custom and the law of nature. The ignorance of the custom and the law of nature brings revenge and the revenge is rationalized in the custom or in the name of God as the law of nature when the moral configuration is equivocal psychologically and politically or aesthetically. The love in these three plays appears as the cause or trigger of revenge rather than as the reconciling force, depicts an overall picture of deflected and degenerated love. The deflected and degenerated love results from the political, economic, and social policy of the Tudor, and partly from the confusion of an opaque moral connotation between God's like love and selfish one.

목차

I. 서 론
 II. 튜더왕조 복수 극에 묘사된 사랑의 개념 (The Connotation of the Love Depicted in Tudor Revenge Drama )
 III. 관례와 순리의 도덕적 정의 경계 (The Barrier of Moral Justice between the Custom and Law of Nature)
 IV. 타락하고 변질된 사랑의 전모(An Overall Picture of the Deflected and Degenerated Love)
 V. 결 론
 인용 문헌
 Abstract

저자

  • 박선희 [ Seon-Hee, Park | 우석대학교 교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    대한영어영문학회 [The Association of English Language & Literature in Korea]
  • 설립연도
    1969
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 영어학 및 영문학 연구 할동과 연구 발표 및 연구 학술지를 발행하고, 교재 개발, 국제학술 교류를 통하여 대한민국의 영어영문학 발전에 기여함을 그 목적으로한다.

간행물

  • 간행물명
    영어영문학연구 [Studies on English Language & Literature]
  • 간기
    계간
  • pISSN
    1226-8682
  • 수록기간
    1972~2020
  • 십진분류
    KDC 840 DDC 820

이 권호 내 다른 논문 / 영어영문학연구 제19권 제2호

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장