This study modern dance pole in a general discussion about realism, contemporary dance understanding(and implied extension, post-modernism), on the basis of aesthetic discussion of the general nature of its modern dance through the scaffolding required for the search was done. Pole and its contents, while the convergence of aesthetic realism and modern dance by combining all of the content on the aggressive nature has meaning. Specifically, the forward movement of the body or the intentional or unintentional, and it appears that, in fact, as the expression of inner feelings that reproduces exposed to the outside world seems to be with the delivery system, Who delivered it (creator), and pass it on to whom (the audience) to pass between the meaning of the will that is related to the premise. And beyond parody of creative freedom and the ability to interpret and specifically, representational expression is that the introduction of a new sense. The unity of a modern dance other genres represented will be likely to feature in the important, dramatic realism, each based on a combined set of his own unique theme is that. It's artists (actors), and its own unique perspective of the individual is to show that the methodology. Also appearing in the representation of the body through movement aesthetic form appears as realistic controls, Who delivered it (creator), and pass it on to whom (the audience) to pass between the meaning of the premises consists of Artists (creators) and the listener (perfume characters) that takes place in between is a representation of realistic description.
목차
Ⅰ. 들어가며 Ⅱ. 극사실주의에 대한 일반적 논의 Ⅲ. 현대 춤의 이해 1. 현대 춤의 외연과 내포 2. 포스트 모더니즘의 논의 Ⅳ. 현대 춤의 미학적 논의 Ⅴ. 극사실주의와 현대 춤의 미학적 적용 Ⅵ. 나오면서 참고문헌 ABSTRACT
현대사회에 있어서 신체활동 연구의 주요 탐구과제는 ‘신체활동을 통한 교육’으로부터 ‘인간의 기본적인 움직임’을 목표로 하는 스포츠적인 움직임을 중심으로 한 생명 활동의 개념으로 급속히 변화되고 있는 추세이다. 이러한 환경변화에 대응하기 위하여 본학회는 ‘체육’적인 요소에서 ‘스포츠’적인 요소를 중심으로 한 학문적 정체성을 견고히 하고, 정기적인 학술지 발간과 학술활동을 통해 한국스포츠츠 문화의 발전과 학문적인 발전에 기여하는데 그 목적이 있다.