Earticle

초록

영어

This study explores gender images represented in the works of women artists from the Middle East, where male chauvinism is recognized to be more predominant than elsewhere. The artists included in this study such as Mona Hatoum, Shirin Neshat, Lida Abdul and Sigalit Landau are Post-Feminist generation of artists who were born in the Middle East but spent significant amount of time in the West. In addition, they were trained as artists under the influences of the Western Feminist Art. This particular group of female artists pays much attention to the ontological question of their identities rather than male/female inequality, and each artist represents men and women in the ways that can hardly be found in the works by women artists in the West. These artists not only connect gender identities to the socio-political geography of the Middle East but also deconstruct Western stereotypes of men and women from Arab world. The paper focuses on the way these women artists incorporate male/female vs. culture/nature dichotomies into their works to subvert the premises on which Western Feminism has been based and not only to cast light on women’s freedom and their ontological conflicts but also to emphasize social suppression inflicted upon men. In such process, these artists resist stereotypical images of Middle Eastern men and women widely circulated in the mainstream media of the West.

목차

I. 들어가는 말
 II. 페미니즘, 포스트페미니즘 그리고 중동 여성작가
 III. 여성과 자연 그리고 중동
 IV. 남성과 문화 그리고 중동
 V. 나가는 말: 표상의 딜레마
 참고문헌 Bibliography
 Abstract

키워드

저자

• 이혜원 [ Lee, Hyewon | 대진대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  미술이론과 현장 [The Journal of Art Theory & Practice]

• 간기

  반년간

• pISSN

  1738-1789

• eISSN

  2508-3538

• 수록기간

  2003~2025

• 등재여부

  KCI 등재

• 십진분류

  KDC 601 DDC 701