The basic structure of Taiwan‘s Chung Yuan Festival lies in the belief that people would seek profits in this world by treating the forlorn wandering ghosts with no posterity in the seventh lunar month to avoid harms and bring good luck. Although the festival may be summarized in short, its inner contents are not so simple. Various ways of ritual and peculiar viewpoints of spirits are complexly intertwined. Based on these facts the following characteristics can be pointed out to the scholars who try to compare the folklore of East Asian countries. First, Keelung's Chung Yuan festival in Taiwan goes beyond a simple offering for hungry ghosts, reinforces community harmony and kinship ties, and achieve a social distribution of wealth through rituals. At last the festival can be established as a community festival. Second, the festival is sure to be a Taoist one. Although there is a more or less overlapping of Taoism and Buddhism, the festival, strictly speaking, belongs to Taoism. Accordingly the opinion that some scholars regard the festival as Buddhist Ullambana(盂蘭盆會) needs to be reconsidered. Third, the festival reflects the ritual for both ancestors and hungry ghosts. Because ancestral rites are performed in the morning and wandering ghosts in the afternoon, the festival should not be emphasized to be the feast for hungry ghosts. Fourth, it has been thought that ancestral ghosts do not leave their home even after death. Therefore people do not visit their ancestors' tombs to bring the ghosts to the ritual of Chung Yuan. This point in Taiwan is quite different from those of Korea and Japan. Moreover, Japan has many facilities for the dead including tombs, ancestral tablets, Butsudan, Bodaizi, graveyards only for visiting, and burial graves not for visiting. There remains a significant question on where a spirit lies. Likewise Taiwan's Chung Yuan festival must be an important ritual which makes us ask a fundamental question. If a comparative study of the ritual is performed thoroughly, the illumination of viewpoints on spirits in East Asia shall be expected.
목차
Ⅰ. 머리말 Ⅱ. 기룽 중원제의 내용 1. 기룽시의 개관 2. 행사내용 Ⅲ. 기룽 중원제의 특징 Ⅳ. 대만 중원제의 유형과 특징 Ⅴ. 마무리 참고문헌 【논문초록】
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.