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마해송 전후 동화에 나타난 서사적 지향
Narrative oriented in Ma Hae Song’s Focusing on postwar children’s book

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제34집 (2013.03)바로가기
  • 페이지
    pp.191-207
  • 저자
    장수경
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A197642

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
This study analyzes the characteristics of Ma Hae Song’s postwar children’s books in order to examine how he tried to express his literary pursuit in his children’s books. As he pursued literary embodiment through resistance and fantasy based on national consciousness by the prewar period, Ma Hae Song extended internal consciousness in his children’s books to environmental destruction, life, tradition, hometown, nature, or ethics from the postwar period. The text this article is mainly focused on is the full-length children’s books, 「Until Then」 and 「The World of Fish」, and it also utilized as its auxiliary text other children’s books and essays, 「The Old Cigarette Man’s Bird Cage」, 「Odoldol Hanwoomul」. The full-length children’s book, 「The World of Fish」, both directly and indirectly shows respect for life and environmental destruction resulted from men’s selfishness. This work criticizes violence caused by hierarchy that minority groups or men monopolizing the power of science control and destroy men or other species that are weaker than themselves. 「Until Then」 created in the 1960’s criticizes civilization indirectly through the longing and consciousness of return to the traditional community and embodies the ethics of coexistence between men and nature literally; thus, his consciousness of ecology was more deepened literally than in 「The World of Fish」 in which he criticizes ecological destruction directly. The narrative of decline centering around Changsu’s family analogically exposes how civilization resulted from urbanization lead men or nature to separation, destruction, and death. Also, here, the main character (Yeonmyeong)’s return to his hometown symbolizes return to the space of ‘land=nature=regeneration’ where he sang about life treading on ‘grass’ and ‘barley’. After the Korean War, Ma Hae Song’s literary world is characterized by the consciousness of such things as men, nature, life, and ethics. His postwar children’s books are significant in that he extended the range of his consciousness to ‘Tao (道)’ in Taoism about the relationship between men and nature in not just criticizing reality but choosing a right way and also pursuing moral life. Ma Hae Song establishes that realizing equality and harmony between men and nature is the ideal that modern literature should pursue. Therefore, consciousness of life or return to tradition is suggested not just as the simple contrast of scientific civilization but as the origin to find out human nature, the literary response to overcome ecological danger. Here, we can see the elements of novelty in Ma Hae Song’s literature.

목차

Ⅰ. 들어가며
 Ⅱ. 인간의 이기심에 대한 폭로와 생명의식
 Ⅲ. 문명비판과 전통회귀를 통한 공존의식
 Ⅳ. 나오며
 참고문헌
 논문초록

키워드

전후 환경파괴 자연 생명 윤리 Postwar Environmental destruction Nature Life Ethics Tao

저자

  • 장수경 [ Jang, Su-Kuung | 고려대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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