太平洋戦争における≪祈り≫ - 太宰治の鴎と「十二月八日」を中心に-
≪Prayer≫ in the Pacific War And “The Seagull” Osamu Dazai around “eight days in December” 태평양전쟁における≪기り≫ - 태재치の구と「십이월팔일」を중심に-
And “The Seagull”, this paper tried to discuss the attitude of the literature in World War II in the heart of the “eight days in December.” I think whether it is not wrote in mind the adjudication of war you hear is not a “bad reputation” toward you so “horrible” does it “hear something. You hear whispers.” Of “The Seagull” and the next can not do anything of the “eight days in December” is is “dumb”, is a person of “Abo”, was holed up in their own world, Toru Kitagawa I was at the time overlaps with that said, “the fate of literature” is. However, “even human,” “inferior”, human waste “Where was notable only privately financed insisted the ball,” said “alive somehow as a” strange animal. And from the fact that the “strange animal” “lacking teeth tattered” “I is said to be” Tsuji Musicians whitebeard Iru it paid off in the road take a lifetime Vuaiorin Ogurai dew, the violin in chaos He plays “Tsuji Musicians” was overlapped with attitude attitude toward art was looking Dazai and literature. But at the end, was to give us peace about by “Tsuji Musicians” was looking for “puddle” of that “kingdom” can “and the one most.” I mean, it was felt from the “puddle” “Musicians Tsuji,” the attitude of the literature is the “sanity” to live to “determined purpose” to it would have been a literature of desire. Is to keep possession a “belief” and “insane”, and the foundation “contrition, confession, remorse” to be Dazai was trying to convey, he tried to go forward without succumbing to age is not a literary war it will be said to be the work.
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.