Paul Verlaine, one of the French poet of the symbolists movement, is popular for his simple and easily understandable writing style. However, people have found that his poems are not just simple but that both the poetic meaning and forms are harmonized perfectly. Verlaine, in fact, appreciated and pursued ‘the beautiful simplicity’ in his poetry, and made effort in writing to remove unnecessary elements and elaborate his style effectively. The seven poems in “Paysages tristes”, part of Verlaine’s first collection, Poèmes saturniens, shows the fundamental characteristics of his poetic style. These characteristics reveals the unity of verlaine’s written works and how these poems connect the emotion of ‘melancholy’ to ‘reminiscence.’ In addition, this connection is developed and revealed through the use of repetition. Repetition is the integral element of poems and a marvelous way to portray simplicity and musicality. The repetition of phoneme, vocabulary, phrase, and strophe influences the formality in Verlaine’s poems, and the repetition of similar vocabulary affects the final Signification of the Look. The paper analyzes the poems in three ways: the repetition of phoneme, the repetition of vocabulary, and the circular structure of repetition. Verlaine uses repetition not mechanically but delicately and fully. Repetition in Verlaine’s poems shows the matchless beauty of sophistication among the French poems.
국제언어인문학회 [INTERNATIONAL ASSOCIATION FOR HUMANISTIC STUDIES IN LANGUAGE]
설립연도
2000
분야
인문학>언어학
소개
국제언어인문학회는 '언어를 통한 인문학 연구'의 필요성에 동감하는 여러 전공분야 학자들의 뜻을 담고 있습니다. 언어에 초점을 맞추는 것은, 다양한 전공분야의 참여에서 생겨날 수 있는 '이질적 집합'의 상황을 극복하기 위한 장치입니다. 현재로서는 작은 불씨를 지핀 것에 불과합니다. 그러나 이렇게 일구어진 불꽃이 새로운 학풍의 바람결에 커다란 섬광으로 빛나게 될 날이 올 것을 우리는 확신합니다. 우리의 학회와 학술지는 인문학 불변의 가치와 시대적 사명을 인식하는 국내외의 학자들을 향해 활짝 개방되어 있습니다. 특정 전공의 범위를 넘어서서 철학, 문학, 언어학, 종교, 역사, 문화, 예술 등의 시각에서 언어의 본질을 토론할 기회가 될 것입니다.