This article addresses the complex process of the construction of self-identity of shamans in contemporary Korea while focusing on shamans’ consumption of such notions as tradition and modernity. The paradoxical condition, in which a shaman is ideologically identified as a religious priest as well as a cultural transmitter but is also condemned as practicing superstition, results in confusion as Korean shamans try to construct their own self-identity. When a shaman tries to construct his/her identity, there exist models of identity culturally available to him/her at a particular historical moment, which I argue are characterized by the intermingling of tradition and modernity. By analyzing two shamans’ life stories, I will provide an account of how they appropriate the memory of traditional apprenticeship under their spirit-mother/father in order not only to differentiate themselves from tradition but also accommodate themselves to it, illustrating how modern concepts such as religion and neo-shamanism are synthesized into the reconfiguring of Korean shamanship.
목차
Abstract 1. INTRODUCTION 2. TRADITIONAL MODEL FOR MATURE SHAMANSHIP 3. SEARCHING FOR NEW SHAMANSHIP: A CASE STUDY 4. CONCLUDING REMARKS REFERENCES
키워드
Korean shamanshipconstruction of self-identitytraditionmodernityIntangible Cultural Treasure
저자
DONG-KYU KIM [ a senior researcher at the Institute for the Study of Religion at Sogang University, Korea. ]
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.