The issue of canonicity has been widely discussed, particularly since the spread of cultural influence from the European great powers to the peripheral areas. In the past, the classical canons suppressed differences in locality, gender and generation. What matters now is to recognize the changeability, rather than the constancy, of canonicity which this article intends to observe in the historical and cultural processes of the marginal alteration of a Western canon in modern Korea. Indeed, we need to imagine how a canon exists; it is premised on the dichotomy of center and periphery, yet with its blurring relationship, it repeatedly both negates and maintains itself so as to be highlighted through its literary value. This article takes Sin Ch’ae-ho’s novel Dream Sky as a good example with which to discern the minute crack of alteration in the configuration of the canon and to scrutinize how it is shown in the peripheral literature. As a novelist as well as a historian and a revolutionary seeking national independence, Sin Ch’ae-ho always thought about the importance and possibility of social practice through literature. His activity as a literary writer partly derived from his understanding of the Italian writer Dante Alighieri; he adored Dante as an enlightened intellectual and recognized his Divine Comedy as the record of his salvation, and in writing Dream Sky he took it as his own pointer for resisting Japanese imperialism. This article aims to reevaluate Dream Sky as an aesthetic reconstruction and thus to concentrate on textual analysis, whereby I expect to re-highlight its ability to practice marginal alteration and the work of the dialogical imagination.
목차
Abstract 1. A WAY OF RE-EVALUATING THE WRITER SIN CH’AE-HO 2. READING DREAM SKY 2.1. Dream Sky and the Divine Comedy 2.2. Metamorphosis: The Harmony of Phantasmagoria and Reality 2.3. The Country of Nim: The Structure of Sin Ch’ae-ho’s World 2.4. Power and Struggle 2.5. Allegory 3. The Horizon of Marginal Alteration REFERENCES
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.