Earticle

초록

영어

No divergent view can be found in the fact that Korean literary circles are exceedingly centralized. It cannot be, however, ignored that the arguments which stress on the importance of regional literature are too ambiguous and partial. This paper, starting with so called “controversy on literary power,” examines the aspects of conflicts between central literature and regional literature, and argues that there is no substance in the notion of ‘regional literature,’ which has not a clear connotation but just an effect phenomenon without substance. Another aim of this study is to delve into the way the institution of ‘Going on the platform,’ which is a particular system in Korean literary circles, reinforces the centralism of Korean literary circles, and, also, the way it puts literature into a frame of a system. ‘Going on the platform’ can be defined as a kind of an initiation a new writer must go through to be admitted into an established literary world. The recent arguments, which emphasize the importance of regional literature, assume very serious dimensions concerning cultural commercialism with going in gear with the cultural policies of local autonomous entities. This paper criticizes such kind of situation and asserts that the proper purpose for the debate of regional literature is not emphasizing of regional particularities, but carrying out its original function of ‘distribution of the sensible,’ a notion drawn from Jacques Rancière’s argument on politics and aesthetics.

목차

Ⅰ. 문학권력 논쟁 재론
 Ⅱ. 오리무중의 지역문학
 Ⅲ. 등단과 등장
 Ⅳ. 문학사회와 향유자 중심 문학
 참고문헌
 Abstract

키워드

저자

• 김형중 [ Kim, Hyoung-joong | 조선대학교 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  남도문화연구 [The Centre for Namdo Culture]

• 간기

  연3회

• pISSN

  1975-826X

• 수록기간

  1994~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 911 DDC 951