Perspectives on the Parameters of Fictional Reality in Drama Gi Chan Yang (University of Suwon) The definition of what is ‘fictive’, ‘fiction’ and thus ‘fictional’ today is a definition in constant change. Traditionally, the definition of fictive and what may constitute as fictional, is whether the suggested and proposed is ‘accepted’ as real or the suggested and proposed is ‘considered’ as real. This paper proposes to discern how fictional reality manifests in a dramatic environment, especially in that of the Avant-garde environment. In traditional fictional reality the fictive image that was presented as ‘being’ real was comprehended as such, but in the dramatic reality fictive image created is more psychologically based. In the Avant-garde theater the fictional reality manifests in a different manner, the reality is based on psychology. The fictional reality depends on the universalism in creating on stage the actualness needed. Comparing what is accepted and what may be accepted as real may be suggestive of the difference between traditional fictional reality and dramatic reality: acceptance through recreation of minute details of an actual reality to psychological acceptance of a fictive representation. Avant-garde theaters in this sense opens a new door in the parameters of fictional reality that goes against the traditional methods of defining the fictional reality.
목차
Ⅰ. Perspectives Ⅱ. The traditional fictional reality Ⅲ. The Avant-garde and the parameters of fictional reality Works Cited Abstract
국제언어인문학회 [INTERNATIONAL ASSOCIATION FOR HUMANISTIC STUDIES IN LANGUAGE]
설립연도
2000
분야
인문학>언어학
소개
국제언어인문학회는 '언어를 통한 인문학 연구'의 필요성에 동감하는 여러 전공분야 학자들의 뜻을 담고 있습니다. 언어에 초점을 맞추는 것은, 다양한 전공분야의 참여에서 생겨날 수 있는 '이질적 집합'의 상황을 극복하기 위한 장치입니다. 현재로서는 작은 불씨를 지핀 것에 불과합니다. 그러나 이렇게 일구어진 불꽃이 새로운 학풍의 바람결에 커다란 섬광으로 빛나게 될 날이 올 것을 우리는 확신합니다. 우리의 학회와 학술지는 인문학 불변의 가치와 시대적 사명을 인식하는 국내외의 학자들을 향해 활짝 개방되어 있습니다. 특정 전공의 범위를 넘어서서 철학, 문학, 언어학, 종교, 역사, 문화, 예술 등의 시각에서 언어의 본질을 토론할 기회가 될 것입니다.