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「舞姬」와 <舟>
「a dancer」and <the boat>
「무희」와 <주>

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제30집 (2012.03)바로가기
  • 페이지
    pp.405-421
  • 저자
    김옥지
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A173094

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
「a dancer」 and Kim, Ok-Ji Mori ougai(1862∼1922) is a literary man who had studied in German as a position of an army surgeon in the time of Meiji. After returning from German where he studied for 4 years, he published 「a dancer」 which was written as a basis of his own experience in German. He has treated the materials of his work as the his own experiences or elements of his own circumference, but the description of appeared as several forms in the earlier and latter term of his literal ground. In this essay the essayist is now surveying the symbolical meanings of reflected in 「a dancer」. Anyway the boat appeared in 「a dancer」 is a ship which is symbolizing the modernization, but he describes the small boat instead of the large ship, so there is a some hidden intention of his own. The boats in which 「うたかたの記」, 「文づかひ」 which are works of his earlier term and the 「山椒大夫」 which is the work of his latter term are described as , and according to the scale and form, but it is thought that he intentionally describes in the 「a dancer」. We should give the focus on the point that the boat in the development of the matters and the actions of characters of the work is not the ship or the small boat but the boat. The boat is important itself but we are able to see the writer's intention which he focuses on the space, where the work will be creating the actions of character in the work. Therefore the boat of the space is only the background and then we can see the writer's intention which he would like to highlight the space in the boat. And then ougai expresses the boat of the space where Toyotaro , who is the hero in the work, exposes and for the first time Toyotaro realizes his own discoveries that he did his actions of 'the passive and mechanical' life and the his own existence of through . And Toyotaro realizes the in the time of boarding for the first time. He did not want to tell this matter to the other men, but he can not be able to take in this case of selecting a space. Toyotaro selects the middle class room in as a space to expose his own in the case like this. At this time, the writer looks at his mother country in and expresses the awareness of his own crisis, and this means the awareness of the crisis facing the writer's reality. The time when ougai began to write the 「a dancer」is after two years returning from German, so that we can guess that the writer keenly felt to take the space where he expresses his own emotion facing the awareness of crisis in the reality. Thus the which ougai chose is not simply the space but the writer should want to take the of space to expose his emotion effectively. Therefore which is described in 「a dancer」 is the space where Toyotaro realizes his own reality and exposes the remorses for the reality. And then the described space of his work playes several roles to bestow the literary motive in the works.

목차

1. 들어가기
 2. <舟>를 통한 도요타로의 自覺
 3. <恨>를 토로하는 공간의 <舟>
 4. 오가이와 『舟』
 5. 나가기
 참고문헌
 논문초록

키워드

「舞姬」와 <舟> 「a dancer」 and <the boat>

저자

  • 김옥지 [ Kim, Ok-Ji | 부경대학교 일문학과(박사과정) ]

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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