Laotzu’s Power Image in the Viewpoint of Deleuze Sa, Kong-Il The aim of this paper is to study Laotzu’s Power Image in the viewpoint of Deleuze. Deleuze stresses the rhizomatic process of deterritorialization, which deconstructs the molar organization that codify rules and systems. This rhizomatic process rejects the power that control subjects oppressively. In this sense, Deleuze’s philosophy is related to the politics of creativity. This politics is comparable to the Taoist notion of we-wei, which means letting Nature take its own course. Like this, the politics dismantles the institutional and hierarchical power and embodies the positive and becoming power which flies the danger of state apparatus. That is the nomad politics or the politics of Laotzu’s Master. Deleuze’s notion of rhizome, the line of flight, and the body of without organs is comparable to the Taoist notion of water, Tao, and wu-wei respectively. Also, the notion of Master in Taoism is similar to Deleuze's notion of nomadic subject. Especially, Master positively and creatively embodies the politics of creation Deleuze stresses. In this sense, the power and politics Deleuze describes, or the nomad politics can be called Master‘s politics. Deleuze and Laotzu’s image of power similarly rejects a codification of the world according to orthodox categories and classification.
목차
Ⅰ. 서론 Ⅱ. 물과 리좀 Ⅲ. 도와 언어적 권력의 탈주 Ⅳ. 도와 기관 없는 신체 Ⅴ. 무위와 탈주선 Ⅵ. 성인-되기 Ⅶ. 결론 참고문헌 논문초록
키워드
들뢰즈권력탈주선기관 없는 신체리좀노자성인Deleuzepowerline of flightbody of without organsrhizomeLaotzuWu-WeiMaster
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.