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李箱과 穆時英의 근대인식 비교연구
A comparative study on modern recognition of Lee Sang and Mu Shiying
이상과 목시영의 근대인식 비교연구

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제30집 (2012.03)바로가기
  • 페이지
    pp.63-80
  • 저자
    류경자
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A173076

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원문정보

초록

영어
A comparative study on modern recognition of Lee Sang and Mu Shiying Liu, Jing-Zi Lee Sang and Mu Shiying were very active writers who worked on writing in Korea and China in 1930's. Seoul and Shanghai in 1930's where Lee Sang and Mu Shiying worked were epitomes of modern times created by imperialistic capitalism. Their criticism on colonialism in their works is often replaced with criticism on capitalism. This article aims to comparatively study their modern recognition and their perspective on ‘modern times’ by analyzing their major works. For Lee Sang and Mu Shiying, modern cities are the objects of curiosities and those of anxiety and fear at the same time. Lee Sang distances himself from those modern cities and grasps the logic of capitalism from the perspective of an observer. For Mu Shiying, Shanghai where the tradition and the modern times are mingled is a deformed city. Lee Sang and Mu Shiying express their senses of anxiety about the modern consumption pattern. The main character of Lee Sang's novel shows his aversion to modern times by expressing his fear for fetism of capitalism that continuously arouses our desires for material things in the monetary order. On the contrary, Mu Shiying obsesses about modern ‘time’ through modern consumption and acutely feels the fatigue and sense of impotence coming after such experience. At the same time, those two writers focus on the human relations of modern times through metafictional writing. While Lee Sang expressed the collapse of faith in humans relations, Mu Shiying expressed severance of communication in the human relations of modern times. Basically, while Lee Sang's perspective is ‘looking down’ from above and ‘looking in’ from outside by grasping the fictitious lives of colonialistic modern times, that of Mu Shiying is ‘exposing’ from inside to outside through a variety of direct experiences in the modern cities.

목차

1. 서론
 2. 근대도시에 대한 양가적 태도
 3. 근대적 소비 양식에 대한 불안감
 4. 메타픽션적 글쓰기와 근대사회의 소통 불가능성
 5. 결론
 참고문헌
 논문초록

키워드

이상 목시영 근대도시 소비 양식 메타픽션 Lee Sang Mu Shiying modern city consumption pattern metafiction

저자

  • 류경자 [ Liu, Jing-Zi | 서울대 국문과 박사과정 수료. ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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