Earticle

현재 위치 Home

<특집> 동북아시아 영화의 현재

영화 속 조선족(朝鮮族)의 디아스포라와 정체성 고찰 - 장률(張律)과 그의 영화를 중심으로 -
A Study on the Diaspora and Identity of Korean Chinese People

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제30집 (2012.03)바로가기
  • 페이지
    pp.23-41
  • 저자
    박노종, 고현철
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A173074

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
A Study on the Diaspora and Identity of Korean Chinese People (Chaoxianzu) in Movies - Focusing on Zhanglǜ and his Movies - Park, Lo-Jong․Ko, Hyun-Chul Korean Chinese people in China as we currently call compatriots in China as a whole have been highlighted as a new group in East Asia. They have now become a representative example of immigration and border crossing over their prior abodes in the present from the phenomenal recognition on Chinese in the past, who immigrated into China and have lived there and minor ethnics in China. Gradually, they have been pointed to be one of social phenomena while forming their independent communities. This essay selects Zhanglǜ who has been known as a first Korean Chinese cinema director to study their diaspora and identity through this changing topography of Korean Chinese people, while aiming at studying the consciousness of these problems through his movies. A cinema director Zhanglǜ is a figure on many contacts and his images represent his positioning very well in such a way. It can be considered that his movies have been already accepted universally in the categories of Korean movies and he has accumulated aesthetic layers of Zhanglv movies in his creative styles in the history of Korean movies. For Zhanglǜ, it can be said that various images in world citizens are crossed over the identity of refugees and their boundaries from faces of immigrants who are living in alien lands. Amidst various calls such as Korean Chinese people, Chinese people and minor ethnics, we can see that he has transfused his diaspora in a very dynamic way to create a new form of cultural consciousness in East Asia. In addition, he has drawn the aspects of identity to the inside of consciousness in our life over the political prejudice in a very sharp way and has purified it in a realistic manner through his movies, while he is not limiting to his identity. It is true because we may acknowledge that he has been embodying the spirit of the East Asian life called humanism over the acquired distinction on boundaries called the language, people and national territory.

목차

1. 들어가며
 2. 장률의 디아스포라 탐색
 3. 장률 영화 속, 조선족 정체성의 양상
 4. 나오면서
 참고문헌
 논문초록

키워드

장률 감독 조선족 영화 디아스포라 정체성 Zhanglǜ Diaspora Identity

저자

  • 박노종 [ Park, Lo-Jong | 부산대학교 국어교육학과 강사 ]
  • 고현철 [ Ko, Hyun-Chul | 부산대학교 국어국문학과 교수 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

이 권호 내 다른 논문 / 동북아 문화연구 제30집

    피인용수 : 0(자료제공 : 네이버학술정보)

    함께 이용한 논문 이 논문을 다운로드한 분들이 이용한 다른 논문입니다.

      페이지 저장