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재일한민족문학의 이야기가치와 문화콘텐츠적 활용양상 연구 －가네시로 가즈키의 소설「GO」를 중심으로
A Study on the Story Value and Applied Appearance as a Culture Contents of Korean- apanese’s Literature －Focused on Kaneshiro Kazuki’s Fiction, Go
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- 발행기관
- 한국문예창작학회 바로가기
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- 간행물
- 한국문예창작 KCI 등재후보 바로가기
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- 통권
- 제8권 제2호 통권16호 (2009.08)바로가기
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- 페이지
- pp.281-306
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- 저자
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- 언어
- 한국어(KOR)
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- URL
- https://www.earticle.net/Article/A147019
※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.
원문정보
초록
- 영어
- Until recently, literal works written by Korean-Japanese have been regarded ‘non-mainstream’or ‘frontier’in both Korea and Japan. However, with arrival of multi-cultural society and rising of the concepts such as ‘creole’and ‘diaspora,’the society began paying attention to Korean-Japanese as ‘important minority.’Thus, the importance of their literal works has been emphasized as well. In particular, as cultural interaction between Korea and Japan became more active, the literature by Korean-Japanese, which are mostly stories common in both countries, has been spotlighted as original sources for various cultural contents. In this study, the usability of Korean-Japanese literature was examine as cultural contents by analyzing a movie and a manga based on the novel called GO which was written by Kaneshiro Kazuki, who boasts the widest readership among other Korean-Japanese writers. The following is three major characteristics of the novel. The first, characteristic is its universal narrative structure. If the former Korean-Japanese literature were mostly about problems as a group such as ethnicity or ideology, GO has a more universal theme. It is about a problematic individual’s search for his identity. The second, characteristic is an interaction of sensibility through cultural art. The cultural art is common language among human beings which overcomes nationality or lineage. In this novel, characters communicate with its readers through sympathy toward cultural art, and this set-up therefore has its meaning. This also distinguishes the novel from other similar literal works which are mainly based on more rational ideas such as argumentation and accusation. The third, characteristic is a subjective consciousness awakened through daily life. A theme of this novel is discrimination against Korean-Japanese and how to deal with it. This theme itself is not original. However, this novel is original as it presents this theme through daily life such as love relationship. The novel GO has been adapted to two different cultural contents. One is a movie directed by Yukisada Isao in 2001 and the other is a manga by Yoshifumi Kondou in 2002. Even though both of them adapted the same story, their achievement turned out to be totally different. The movie version of GO successfully delivered the characteristics of its original novel. In particular, it keeps a balance between its universality and subjective consciousness. Its use of close relationship with cultural content is also appropriate. In order to emphasize these characteristics of the original novel, this movie was made to have a strong sense of teenager movie and this succeeded in gaining favorable response from general public. On the other hand, the manga version of the same novel was created to have characteristics of school drama. This kind of manga is often a love story between a scrappy boy and a model student. The manga version of GO is no exception. However, this manga failed to deliver the characteristics of the original novel as it attached too much to the grammar of its genre such as rebel and confrontation. As a result, it was unable to gain attention from readers.
목차
1. 재일한민족문학의 현재적 의미
2. 이야기가치 분석
1) 보편적 이야기구조의 구현
2) 문화예술을 통한 감성의 교류
3) 일상을 통해 환기되는 주제의식
3. 문화콘텐츠적 활용양상 검토
1) 속도감을 이용한 이야기가치의 증폭
2) 장르적 관습에 의한 이야기가치 제한
4. 결론 : 재일한국인 문학의 확장 가능성
참고문헌
Abstract
키워드
재일한민족문학(Korean-Japanese’s literature) 가네시로 가즈키(Kaneshiro Kazuki) 문화콘텐츠(cultural contents) 이야기가치(story value) 문화적 다원주의(cultural pluralism) 중요한 소수자집단(important minority) 스토리텔링(storytelling) 장르적 법칙과 관습(convention and cliche)저자
간행물 정보
발행기관
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- 발행기관명
- 한국문예창작학회 [The Society of Korean Literary Writing]
- 설립연도
- 2004
- 분야
- 인문학>문학
- 소개
- 한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국 문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문 예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다. 전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강 사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의 목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참 여하고 있습니다. 연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나 와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을 넓히고 있습니다. 한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수 시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다. 별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도 교사 자격 시험'도 운영하고 있습니다. The Society of Korean Literary Creative Writing is a pure academic association for the literary cretive writing, and was organized on November 11, 2001 for the purpose of presenting the new direction of literary creative writing by studying all the methods to activate and develop the theories of literary creative writing and its education. Our society is composed of professors or ex-professors, some invited professor, lecturers, graduate students of the dept. of literary creative writing as regular members, and the persons interested in our program as associative members. Our society holds an annual academic meeting-- literary symposium, literary creative writing seminar-- and publishes the journal of our society and our members' anthology of literary works. Added to these, our society has already started a new project to open the way for our literary juniors by providing them with a certificate as a leader and holding a forum for literary creative writing.
간행물
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- 간행물명
- 한국문예창작 [The Journal of Korean Literary Creative Writng]
- 간기
- 연3회
- pISSN
- 1598-9267
- 수록기간
- 2004~2026
- 등재여부
- KCI 등재
- 십진분류
- KDC 802 DDC 800
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