근대 사실주의 희곡의 두 肖像 - 유치진의 「소」와 함세덕의 「동승」 연구
Two portraits of modern realism drama - Research of YOO Chi Jin's Bull and HAM Se Duk's Little Monk 근대 사실주의 희곡의 두 초상 - 유치진의 「소」와 함세덕의 「동승」 연구
In the 1930s, both modern plays and dramas with western notion really began and developed. It might be much more ahead of this period when looking for the influx of western modern plays or the spiritual beginning of the western plays, but it was the 30s using new play as a terminology meaning the western modern play and presenting the realism play on stage in earnest which can be recognized as a western modern play. The aspect of plays that time could be divided in three parts and they are the new-play (experimental play, realism play), tendency-play(proletariat-play), and popular-play(common play, new-school play). Among those three courses the realism play accepted the realism newly appeared in the 1930s as a modern realism play. The appearance of this realism play has a great symbolic meaning that the westernized and modernized plays and dramas took their real first step. YOO Chi Jin and HAm Se duk decidedly are the main realism play writers in the 1930s, the time of such signification. YOO Chi Jin described the real circumstances and the structural contradiction of our rural life of the colonial times in his creation play and played the role of a precursor who established the realism play of the early and mid 1930s. And based upon YOO Chi Jin's establishment in realism plays, HAM Se Duk with his excellent writing skill succeeded to create psychological and lively colloquial lines and characteristic persons in a very lyrical and romantic mood and so he is valued to have upgraded the realism play through the accomplishment of the 'poetic realism' or 'lyrical realism'. KIm Jong Chul gave an appraisal of the 30s' result mentioning that 'Korean poetry does not passed the limit of the basic outline set up in the 30s'. Not much different with plays and dramas. Up until now, it's been easily said that there is no perfect realism play in our dramas, which will mean that Korean plays and dramas experienced a dialectical development to overcome and inherit the realism set up in the 1930s. Therefore in this article the introduction and current of realism play will be examined and also the achievement and limitation of the realism writings accomplished by YOO Chin Jin and HAm Se Duk will be illuminate through their masterpiece Bul> and Little Monk.
목차
1. 1930년대 연극과 희곡의 흐름, 그리고 사실주의의 유입 2. 근대문학기 사실주의극의 두 초상, 유친진과 함세덕 1) 사실주의의 선구자 유치진 그리고 「소」 2) 서정적 사실주의의 완성, 함세덕의 「동승」 3. 1930년대 사실주의극의 성과와 한계 참고문헌 Abstract
키워드
근대 사실주의극(a modern realism play)변증법적 발전(a dialectical development)서정적 리얼리즘(lyrical realism)소(Bull)동승(Little Monk)
한국문예창작학회(The Society of Korean Literary Creative Writing)는 한국
문학의 새 지평을 열기 위해 문예창작 이론과 문예교육 이론을 연구 계발하여 문
예창작의 새로운 방향을 제시하고자 조직한 학술단체입니다.
전국 대학과 대학원 문예창작 관련학과의 전·현직 전임교수·겸임(초빙)교수· 강
사·대학원 재학 이상자 및 문예창작인들이 회원으로 활동하고 있습니다. 학회의
목적에 적극적으로 동의하는 문학 관련 단체나 문학창작 동호인도 준회원으로 참
여하고 있습니다.
연 2회 학회지를 발간해 학문적 기반을 닦고 있으며, 정기적으로 학술 세미나
와 해외 문학 심포지엄 등 학술 발표회를 개최하여 학문적 교류와 토론의 장을
넓히고 있습니다.
한편으로, 문예창작 캠프·문학기행 등의 창작교육 활동과 창작 학습 행사를 수
시로 진행하면서, 창작·창작이론·창작교육에 관한 활동의 범위를 넓히고 있습니다.
별도로, 문예창작 교육을 받은 문예창작학도들의 진로 개발을 위해 '문예교육지도
교사 자격 시험'도 운영하고 있습니다.
The Society of Korean Literary Creative Writing is a pure academic
association for the literary cretive writing, and was organized on November
11, 2001 for the purpose of presenting the new direction of literary creative
writing by studying all the methods to activate and develop the theories of
literary creative writing and its education.
Our society is composed of professors or ex-professors, some invited
professor, lecturers, graduate students of the dept. of literary creative writing
as regular members, and the persons interested in our program as associative
members.
Our society holds an annual academic meeting-- literary symposium,
literary creative writing seminar-- and publishes the journal of our society
and our members' anthology of literary works.
Added to these, our society has already started a new project to open the
way for our literary juniors by providing them with a certificate as a leader
and holding a forum for literary creative writing.
간행물
간행물명
한국문예창작 [The Journal of Korean Literary Creative Writng]