In the past decade, the Korean film industry has enjoyed never-before-seen success at home and abroad. With the high domestic market share of local movies (recording more than 40% market share continuously from 2001), it has been reported that Korea is “the only nation during the post-Vietnam War history that would regain its domestic audiences after losing them to Hollywood” (Kim, 2004). Based on this domestic achievement, Korean cinema’s foreign exports have also drastically increased, from 14 movies that generated revenue of US$173,838 in 1993 to 202 movies that reached about US$75 million in 2005 (Korean Film Council, 2010). Despite this achievement, trade headlines and popular news reports have continued to rave about these external figures while ignoring significant internal changes from within the Korean film industry. In addition, there is a tendency among scholars to interpret this commercial achievement simply as successful resistance against American cultural imperialism within the local vs. global paradigm. In order to understand the cultures of production (du Gay, 1997) of the currentKorean film industry, this study examines the changing industrial formations and ownership concentration processes in the Korean film industry of the 2000s against the backdrop of distinct media globalization processes. It relates this finding to larger discussions concerning the overseas development of the Korean Wave or Hallyu. From this political-economic approach, it is expected that readers can gain a more holistic understanding of the Korean film industry and the Korean Wave.
목차
Abstract INTRODUCTION KOREAN FILMS IN 2010 CHANGES AND CHANCES BUBBLE BUSTED AN OLIGOPOLY OF KOREAN FILM WRITERS OUT AND DATERS IN CONCLUSION REFERENCES
한국연구원은 1970년 5월 한국 민속의 각 분야에 걸친 자료의 수집과 학술적 연구를 목적으로 '한국민속연구소'로 출발하였다. 그 후 1973년 5월 연구 분야를 확대하며 민속뿐만 아니라 한국학 전반에 걸친 연구를 위해 '한국학연구소'로 개편하였고, 다시 1989년 3월 한국의 국제적 위상의 부상과 함께 한국학 연구의 중요성이 높아짐에 따라 '한국학연구원'으로 확대, 개편하였다. 한국학연구원은 한국학 전반에 걸친 연구를 통해 지역과 민족문화 발전에 기여하며 한국학의 세계화를 위해서 학술활동을 강화하고 나아가 내·외국인에 대한 한국문화 교육을 담당하고자 한다.