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예이츠 초기시의 상징주의와 마스크 이론의 갈등
The Conflict of Symbolism and the Theory of the Mask in Yeats's Early Poetry

첫 페이지 보기
  • 발행기관
    한국예이츠학회 바로가기
  • 간행물
    한국 예이츠 저널 KCI 등재 바로가기
  • 통권
    제35권 (2011.06)바로가기
  • 페이지
    pp.55-93
  • 저자
    이도경
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A146178

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원문정보

초록

영어
This study is an attempt to analyze Yeats’s early poetry in the light of his theory of the mask. For this purpose the writer of the present study has first proposed to define the ‘mask’ to investigate the theory and has reached the conclusion that the ‘mask’ is a Yeatsian term for an ideal image of life which is always opposite to the natural self or the natural world, and the theory of the mask has three aspects−aesthetic, moral, and philosophical−according to the role of the mask. The aesthetic meaning of the theory demonstrates Yeats’s argument on the nature, the source, and the touchstone of a work of art: art is the embodiment of the writer’s mask of life and his inner struggle between mask and life sets him to his creative work; the quality of a work depends upon the expression of this tragic war. And all the more important, Yeats’s strong belief in polarity of the two terms of conflict is clarified. The study of Yeats’s early poetry in terms of his theory of the mask has concluded that Yeats’s early mask is the very transcendent realm which Yeats’s early symbolism proposes to evoke and the main symbols used to express this ideal world are the images of Arcadian island across the sea, rose, the Irish mythic world and Maud Gonne; and the synthesis of Yeats's theory of the mask and symbolism in his early poetry causes some distortions in both his theory of the mask and symbolism. The nature of his transcendent world is conveyed not by the symbols but by the imperfect realities in spite of his strong belief that “divine essence” can only be evoked by the symbols; the nature of this ideal world has also been distorted: it is not the super reality lying beyond reality like Mallarme’s but only an ideal place where all the impurities and imperfections of the real world are removed or corrected. As for the theory of the mask, polarity, the most important basis of the theory, has been impaired: only the value and the love of the ideal world is emphasized, whereas those of the earthly life are restrained or its weaknesses and painfulness are stated to describe the ideal world.

목차

I. 예이츠의 마스크 이론
 II. 초기시의 마스크 이론과 상징주의의 갈등
 III. 결론
 인용문헌
 Abstract

키워드

예이츠 양극성 상상력에 의한 농신제 마스크 이론과 상징주의의 갈등 이상적인 섬 장미 아일랜드 신화 모드 곤 Yeats polarity imaginative saturnalia conflict of symbolism and the theory of the mask Arcadian island rose the Irish mythic world Maud Gonne

저자

  • 이도경 [ Lee, Do-Kyung | 울산대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    한국예이츠학회 [The Yeats Society of Korea]
  • 설립연도
    1991
  • 분야
    인문학>영어와문학
  • 소개
    예이츠 및 관련 분야에 대한 회원들의 학문 발전을 도모하고 연구 의욕을 고취시키기 위해 다음과 같은 일을 기획하고 수행함을 그 목적으로 한다. 1) 학술 발표회 및 세미나 개최 2) 학술 정보의 수집과 자료 교환 3) 연구논문집 『한국예이츠저널』(The Yeats Journal of Korea) 발간 4) 회원 상호간의 학문적 교류와 친목 도모

간행물

  • 간행물명
    한국 예이츠 저널 [The Yeats Journal of Korea]
  • 간기
    연3회
  • pISSN
    1226-4946
  • 수록기간
    1991~2025
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 841 DDC 811

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