Earticle

초록

영어

You Hyun Mok’s The Aimless Bullet has been praised to be a representative realism film in Korean cinema history. Considering that the concept of realism was not properly defined among Korean critics, however, it can be said that The Aimless Bullet was misunderstood to be realistic for its progressive theme and story because of the vague admiration for realism at that time. We need to note its modernistic characteristics by way of form analysis which would reveal the physical technique ignored by critics who wanted it to be a realism work. The Aimless Bullet presents several distinguishing marks different from realism films of classic Hollywood cinemas in its form. The intentional and self- conscious excessiveness of style such as space division, deep focus, formative angle, montages of image and sound, and motif building by repetition makes it to be modernistic or avant-garde. It was called to be realistic because of the need of its times although it is a modernism film. The valuation of The Aimless Bullet, however, was changed at the end of 90's. With criticism for irrationality of the past beginning, criticism for realism which had ruled started. The purpose of this paper is to take part in creating a new discourse focusing on the modernistic style of The Aimless Bullet. It is most controversial in Korean cinema history, which shows not that it is a realism film of fixed narrative but that it is a modernism film which is full of ambiguous and symbolic images.

목차

1. 들어가며
 2. <오발탄>의 모더니즘적 특징
  1) 심도 있는 연출
  2) 조형적 구도
 3. 사운드와 서사형식
  (1) 사운드
  (2) 서사형식
 4. 나가며
 참고문헌
 Abstract

키워드

저자

• 김성희 [ Kim, Seong Hee | 영화평론가 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  영상예술연구 [The Journal of Image & Film Studies]

• 간기

  반년간

• pISSN

  1598-9119

• 수록기간

  2001~2016

• 십진분류

  KDC 668 DDC 779