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잭 케루악의『길 위에서』: 타자화를 통한 백인 남성성의 재확립
Jack Kerouac’s On the Road: The Pursuit of the White Male Identity

첫 페이지 보기
  • 발행기관
    미국소설학회 바로가기
  • 간행물
    미국소설 KCI 등재 바로가기
  • 통권
    제18권 1호 (2011.02)바로가기
  • 페이지
    pp.5-28
  • 저자
    권지은
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A140492

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
This paper discusses On the Road as an attempt of the white male to reinscribe his racial and sexual identities. The process of identity formation in the text takes the form of self-marginalization, in which the white-male individuals maintain a critical distance from society by associating themselves with marginal spaces occupied by Others. This self-marginalization from the center enables them to escape from socially-given identities, from domesticated masculinity to the too-much-civilized whiteness. By distancing themselves from society and the identities it entails, the white male protagonists strive to acquire a new form of genuine identity uncorruptible by the social order. This gesture of social criticism has led many critics to regard this text as a fundamentally dissenting gesture against American middle-class white values, embodying the true spirit of the Beat Generation. However, the problematic that On the Road reveals is that, in structuring his social critique, Kerouac reaffirms, if unwittingly, the discourses of mainstream America that he works so hard to undermine. This is most keenly felt in his identification with racial Others. Although he finds a powerful impulse against the post-war American society in racial marginality, he nevertheless ends up reinforcing the imperial gaze of white men on the colonized. More to the point, Kerouac’s imperialized description of Others is exactly the vehicle through which the white male protagonists can restate their individualist freedom in contrast to the confined Otherness. Given that, this paper aims to demonstrate that On the Road is, in an ultimate sense, less a socially dissenting text than an attempt to find an imagined solution to the problem of white male’s assailed identity.

목차

I. 타자(Other)로서의 백인 남성
 II. 이동을 통한 사회순응으로부터의 도피
 III. 역사에 오염되지 않은 과거를 찾아서
 IV. 나가며
 인용문헌
 Abstract

키워드

Jack Kerouac the Beat fear of conformity appropriation of Otherness Mexico domesticated masculinity

저자

  • 권지은 [ Jieun Kwon | 고려대학교 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    미국소설학회 [The American Fiction Association of Korea]
  • 설립연도
    1989
  • 분야
    인문학>영어와문학
  • 소개
    본 학회는 마크 트웨인을 중심으로 한 미국 문학 및 문화에 관한 학슬 활동의 증진을 목적으로 한다

간행물

  • 간행물명
    미국소설 [마크 트웨인 리뷰]
  • 간기
    연3회
  • pISSN
    1738-5784
  • 수록기간
    1991~2020
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 843 DDC 813

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