Earticle

초록

영어

The purpose of this paper is to show the iconic relationships between form and meaning in Chinese and to examine the six categories of Chinese characters. According to the Xu Tongqiang's “sinogram-based theory”, the basic structure of Chinese units ‘Zi(字)’ and coding mechanism is discussed. There is a natural and motivated relationship between form and meaning. Language has a characteristics of iconicity as well as arbitrariness. Language is a realistic coding system, in Chinese coding code is ‘Zi(字)’. The six categories of Chinese characters combining modern methods of cognitive linguistics is analyzed. ‘Zi(字)’ is a motivation reflected in real phenomenon, to explore the ‘Zi(字)’ motivations between form and meaning. Pictographic(Xiangxing), Self-explanatory(Zhishi), Associative compound(Huiyi), Mutually explanatory characters(Zhuanzhu), the relationship between form and meaning is motivations. Shape and sound(Xingsheng) with the salient property of likeness of the objects belonging to the iconicity. Phonetic loan character(Jiajie), the relationship between form and meaning is arbitrary.

목차

Ⅰ. 서론
 Ⅱ. 자본위의 이론적 근거
  제1장. 언어 기호의 본질: 자의성과 도상성
  제2장. 중국인의 사유방식과 언어관
 Ⅲ. ‘字’와 중국어 도상성
  표의자의 도상성
  가차자의 자의성
  형성자의 도상성
 Ⅳ. 결론
 참고문헌
 논문초록

키워드

저자

• 박경송 [ Park, Kyeng-Song | 영산대학교 외국어대학 중국학과 ]

참고문헌

발행기관

간행물

표지보기 관심저널 등록

• 간행물명

  동북아 문화연구 [Journal of North-east Asian Cultures]

• 간기

  계간

• pISSN

  1598-3692

• 수록기간

  2001~2026

• 등재여부

  KCI 등재

• 십진분류

  KDC 910 DDC 950