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<특집> 동북아시아의 민속과 종교

원효상(元曉像)의 현대적 재현-제석사의 탱화를 중심으로
A contemporary representation the image of Wonhyo by Paintings of Eight Stages of Jeseok Temple

첫 페이지 보기
  • 발행기관
    동북아시아문화학회 바로가기
  • 간행물
    동북아 문화연구 KCI 등재 바로가기
  • 통권
    제25집 (2010.12)바로가기
  • 페이지
    pp.5-26
  • 저자
    최재목, 손지혜, 김은령
  • 언어
    한국어(KOR)
  • URL
    https://www.earticle.net/Article/A134941

※ 원문제공기관과의 협약기간이 종료되어 열람이 제한될 수 있습니다.

원문정보

초록

영어
This study was conducted to analyze Wonhyo Palsang Paintings, or the Paintings of Eight Stages in Wonhyo's Life, which was hanging on the wall of Jeseok Temple, for the purpose of reviewing the contemporary implications and image of Wonhyo. Wonhyo was one of the most eminent and influential scholar-monks in Silla Era, and Jeseok Temple has been known as the birthplace of Wonhyo. Jeseok Temple, located in Gyeongsan city, Gyeongsangbuk-do, was still the talk of the town as the birthplace of Wonhyo. Accordingly, for the first time in Buddhist history in Korea, Jeseok Temple constructed the Wonhyo Sungsajun, or the Temple for Great Religious Sage of Wonhyo, and has held Daryeje, or a religious service, every year to look back upon the memory of Wonhyo with reverence and affection. There have been little or no studies reported on the relationship between Jeseok Temple and Wonhyo. However, Jeseok Temple is the only one in Korea where Wonhyo was enshrined and the Buddhist picture of Wonhyo was hung on the wall of the temple. Bibliography of Wonhyo depicted in the Wonhyo Palsang Paintings was worth reviewing for the contemporary implications and significance of his modern image. Wonhyo Palsang Paintings consisted of eight tales related to Wonhyo's life with different topics in one picture that were listed in chronological order. Iconographical topics of the painting included the following eight tales: Birth of Wonhyo, entering the Buddhist priesthood, transcendence, no hindrance, sermon, distinguishment between good and bad as well as destiny, enlightenment, and nirvana. This study proceeded to explain the contents of each picture with the relevant literature and documents. The pictures in the Wonhyo Palsang Paintings were depicted based on generally accepted and well-known tales about Wonhyo, rather than based on thorough historical research and evidence. However, since there have been no Buddhist paintings about the most eminent scholar-monk in Korean history, Wonhyo Palsang Paintings had a great deal of importance and significance to be considered in terms of the contemporary representation.

목차

Ⅰ. 서론
 Ⅱ. 제석사와 원효
 Ⅲ. 원효팔상탱화에 나타난 원효상
  1.【탄생】
  2.【출가】
  3.【득도】
  4.【무애】
  5.【설법】
  6.【요석과의 인연】
  7.【교화】
  8.【열반】
 Ⅳ. 문헌기록과의 대조와 탱화의 특징-결론을 겸하여
 참고문헌

저자

  • 최재목 [ Choi, Jae-Mok | 영남대 철학과 교수 ]
  • 손지혜 [ Son, Ji-Hye | 동 대학 대학원 한국학과 박사과정 ]
  • 김은령 [ Kim, Eun-Ryeong | 동 대학 대학원 한국학과 석사과정 ]

참고문헌

자료제공 : 네이버학술정보

간행물 정보

발행기관

  • 발행기관명
    동북아시아문화학회 [The Association of North-east Asian Cultures]
  • 설립연도
    2000
  • 분야
    복합학>학제간연구
  • 소개
    동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.

간행물

  • 간행물명
    동북아 문화연구 [Journal of North-east Asian Cultures]
  • 간기
    계간
  • pISSN
    1598-3692
  • 수록기간
    2001~2026
  • 등재여부
    KCI 등재
  • 십진분류
    KDC 910 DDC 950

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