실체를 상실한 문화상상으로서의 동북아시아 - 한․중․일 드라마 꽃보다 남자 연구
Northeast-asia as an cultural imagination without its own true nature - A Study on Korea, China, Japan Drama Men over Flowers
This thesis reveal that the reappearance of east-asia as the leader of globalization is not symbolized through Men over flowers as the complete independence from the Occident but rather border of Occident without its own character. Even this fact though, serious reveal of Men over Flowers in Korea, China, and Japan and got huge fan is based on the fact the life of Northeast-asia is founded on the occidental life style. When the life is based on the occidental spirit, the thought of east-asia can be whether postponed or discarded. This phenomenan is revealed directly in the show. In the show, luxurious goods reveal the sensation of longing and imitation through all the classes so it can be revealed the solidarity of Northeast-asian. It, however, it fronts this appropriateness of solidarity, it gives dilemmas to give east-asia to terran of Occident. This simple idea brought about the result that the love for family is seized by the occidental capital. All the conflict is collected by the family value of asia, but in fact, familism is the hostage of capitalism by the Occident. The temptation of capital vested Northeast-asia into the occidental terran using the familiarity of family. The loss of memory of this show is given shape by skepticism about the presence of oriental Northeast-asian spirit. The memory loss of the character shows the fear of second-in-command of east-asia that without assimilation with the Occident, he cannot exist. Forever occidental others. Likewise, the show reveals clearly that Northeast-asia is not the geographical true nature. The ultimate conclusion of Men over Flowers is the negative perspect that east-asia is a cultural imagination, a floating ballot made from identification such as orientalism or narcissism. This cultural imagination controls the space of imagination of east-asian public, and after all the imagination of joining the world powers is just mere judge of imperialism. After all, the limit of east-asia through Men over Flowers is quite clear. It avoid deliberately the fact that the universality does not match with the real life and is contrary to people's expectation and finally betray. As long as it is believed that east-asia's comeback only can be realized through surrendering to Occident as the universality, east-asia cannot help but be alienated itself. The idea to recover the Occident from the solidarity of asian resisting european can only make it sure to accept european. The mind of substitute cannot be premised without the others. The important thing is to recognize the Occident as a true nature of terran. If not, like in the Men over Flowers, the true nature of east-asia can be far to be realized.
목차
Ⅰ. 머리말 Ⅱ. 명품을 통한 새로운 감정공동체와 실패한 지역 연대 Ⅲ. 빌려온 가족주의담론에 내재된 자본과의 공모 Ⅳ. 기억상실증에 은폐된 2인자의 공포 Ⅴ. 결론 참고문헌 【논문초록 】
키워드
동북아시아명품스타일심리적 연대가족주의자본주의기억상실증2인자의 공포서구의 문화상상Northeast-asialuxurious stylepsychological solidarityfamilismcapitalismmemory lossfear as second-in-commandcultural imagination of Occident
동북아시아문화학회 [The Association of North-east Asian Cultures]
설립연도
2000
분야
복합학>학제간연구
소개
동북아시아 문화의 다양성과 정체성을 연구 토론하고, 지역내 문화 교류의 다양한 모습을 연구하고 문화변동의 큰 틀을 집적함으로써 우리 민족 문화 및 상대 민족의 문화적 터전을 이해하여 문화공동체적 특성을 계발하고 상호 관련성의 강화를 유도하는 학술활동을 통해 동북아시아의 문화발전에 이바지함.